As technology gets smarter and smarter, the human brain is forced to reflect on itself in the mirror of the future and question what value it will have in a world in which wet tech, cerebral hacking and commodified consciousness could reign. A world not of enhancement or augmentation, but replacement. Authors will enquire what the future of our most precious organ will be, while they still have one. Virtual Futures
Virtual Futures: Tomorrow’s Wars – 17th April 2018
Inspiration & Terror by Andrew Wallace
Virtual Futures began in the early 1990s, when writers, thinkers, performers and scientists got together at Warwick University to grapple with the implications of technological changes sweeping society. Now that we are in that feared and fabled future, a new incarnation of Virtual Futures has been taking place in London. At the inception, one of the most popular elements of the events, or ‘salons’ as they are known, proved to be a short piece of science fiction written and read by science fiction author Stephen Oram. These pieces were so popular that science fiction got its own night within Virtual Futures, with Stephen as the curator. Mixing fiction specially written around the evening’s theme with keynote introductions by noted speakers often prominent scientists in the relevant field, the nights are unlike any other science fiction event in London.
April’s Salon explored the future of warfare, asking these crucial questions:
War has, so far, been inevitable throughout human history – but what will the future of conflict or cooperation look like? Will the discoveries of the future lead us to a world without violent disagreement, or just result in us killing one another in more creative ways? Continue reading “Virtual Futures: Tomorrow’s Wars”
Extruded Bodies & Phantom Flesh by Andrew Wallace
Virtual Futures’ March 2018 Near Future Fictions Salon explored the theme of Virtual Persons
Virtual Futures grew out of a series of conferences in the mid-90s that sought to develop a new discipline that would confront the technologisation of culture. Its latest incarnation is a regular ‘Salon’, where philosophical, scientific and creative thinkers combine discussion, performance and fiction to explore current and potential technological extensions of the human condition.
The Near Future Fictions Salons place science fiction centre stage, with previous guest participants including Alan Moore, Pat Cadigan, Gwyneth Jones, Hari Kunzru and Geoff Ryman.
Monday’s event explored the theme of ‘Virtual Persons’:
The digital world is a personality playground that offers us an unprecedented ability to curate and create a public persona – but what does this ability mean for the future of personhood? [from http://www.virtualfutures.co.uk]
Opening keynote by performance artist Stelarc
Stelarc took part in the original Virtual Futures conferences at Warwick University in the 90s. His work explores alternative anatomical architectures, interrogating issues of agency, identity and the post-human. He has performed with a mechanical third hand, a stomach sculpture and a six-legged walking robot; while Fractal Flesh, Ping Body and Parasite are internet performances that explore remote and involuntary choreography. Most recently, he has harnessed surgery and stem-cell technology to grow an ear on his arm.