We’ve gotten a bit behind with plans here at Torque Control. I’ve had a busy end-of-semester, and Niall and Tony both ended up over-committed, which is why you haven’t seen the end (or in one case, beginning) of discussions of Farthing and The Carhullan Army. I can’t tell you when those posts will be along, but I can tell you the following…
I have a special preview of the next Vector for you tomorrow. The issue itself was as waylaid as this blog, but you should still have it before the end of January. In the meantime, tomorrow I’ll be posting an article which will appear in the print issue when it comes out, but which you really need to read much sooner than that: Andrew Butler’s writeup of the John Martin: Apocalypse show which is currently at the Tate in London, but closes January 15th.
Next week, I’ll be posting on Lavinia.
Then, two weeks later, in January, I’ll post about Gwyneth Jones’ Spirit. Shortly after which, you should be receiving the next BSFA mailing, about which much more anon.
Five years and two days ago, Niall began Torque Control as the Vector editors’ blog.
1029 published posts (as of this one), 9208 comments, and 621 tags later, and it still is. Not much, perhaps, compared to Vector‘s 53 years, but by blog standards, it’s done very nicely indeed.
Thanks to all of you for five years of comments and community!
Aaannnd … we’re back. And how better to celebrate than with a set of award winners?
Novel: Ysabel, Guy Gavriel Kay (Viking Canada/Penguin Roc)
Novella: Illyria, Elizabeth Hand (PS Publishing)
Short Story: “Singing of Mount Abora”, Theodora Goss (Logorrhea, Bantam Spectra)
Anthology: Inferno: New Tales of Terror and the Supernatural, Ellen Datlow, Editor (Tor)
Collection: Tiny Deaths, Robert Shearman (Comma Press)
Artist: Edward Miller
Special Award, Professional: Peter Crowther for PS Publishing
Special Award, Non-Professional: Midori Snyder and Terri Windling for Endicott Studios Website
Congratulations to all, and now I really have to get around to reading my copies of Ysabel and Illyria.
In other news, the holiday was lovely. We were in this house and had many books to read, although most of my time was taken up by one huge book, namely A Suitable Boy. (I probably won’t get around to writing anything substantive about it, but you could do worse than check out Victoria’s review at Eve’s Alexandria.) There was also time for a side-trip to Hay-on-Wye, where I think we were remarkably restrained, and where Liz spotted a particularly good example of mis-shelving.
Coming later this week: other stuff.
As noted here, from the Wiscon schedule:
How Much Is Too Much?
“Unless we’re reading or writing about a utopia, the societies in our fantasy worlds are going to have problems. In fact, a culture without problems invariably comes off as shallow and unrealistic. Does this mean we need to include things like sexism and racism if we want to tell a believable story? And if so, are we, as authors, guilty of perpetuating whatever-ism in the real world?”
Monday, 8:30-9:45 A.M. (Assembly)
M: Sarah Monette, Catherynne M. Valente, Gregory Rihn, Elissa Malcohn, L. Timmel Duchamp
Alas, no Wiscon for me this year, so I’ll have to rely on panel reports from people keen enough to get up for an 8.30 am Monday panel. But it’s a topic I’ve been thinking about off and on since the question came up in the discussion of Martin’s review of Red Seas Under Red Skies last year, and thinking about it this week in particular having just finished Richard Morgan’s The Steel Remains, which takes a diametrically opposite position to Lynch.
In other news, I’ve gotten around to doing something I’ve been meaning to do for ages, which is to give Liz the ability to post here. Other additions may follow; this was always meant to be a Vector blog rather than just my blog, after all (Liz, as I’m sure I don’t need to point out for most of you, has been production editor for the last year or so).