By Dev Agarwal
Westworld landed on TV in 2017 and set genre cognoscenti’s tongues wagging. The consensus is that in ten episodes it has sealed its place in our current Golden Age of Television, and surpassed the original film from which it jumps off.
The current HBO-produced series had a long gestation period. It began with the original film by Michael Crichton in 1973, followed by fits and starts that may be better forgotten – the misfiring 1976 sequel Futureworld, plus a TV series, Beyond Westworld, that appeared in 1980 and was quickly cancelled – and the long haul of dormancy for the concept until 2016, when the first season of the contemporary reboot appeared. Season two is awaited this spring.
Overall, the 1973 Westworld was more a monster chase movie than a meditation on what it means to be human – the central theme of the current re-incarnation of the story. The Westworld reboot series so far has focused on just one park, the West, largely ignoring the film’s orgiastic Romanworld and castle-based Medievalworld (albeit there have been some allusions to samurais). However, fans of the original film should find that the rebooted series remains faithful to the original concept.
In both incarnations, 70s film and modern TV series, Westworld is squarely a science fiction idea (our genre gave the film nominations for the Hugo and Nebula). It’s hard SF in that technology is central to the premise: advanced AIs engage with people as “hosts” in a theme park. But it’s certainly also soft SF, in that the drama unfolds by exploring the social implications of technological change rather than by examining how the science works. Continue reading “Westworld Then and Now”