Vector 295 (2022)
Vector 295, Greek SFF, is guest edited by Phoenix Alexander. Arriving April 2022. Featuring interviews with Nick Mamatas, Yanis Varoufakis, Polis Loizou, Mikhail Karikis and Alexis Panayiotou and contributions by Christos Callow Jr, Dimitra Nikolaidou, Paul Kincaid, Vasso Christou and others.
Cover by Mikhail Karikis.
Vector 294 (2021)
Vector 294, SFF and Class, is guest-edited by Nick Hubble. Featuring ksenia fir on labour in outer space, Paul Kincaid on Priestley’s An Inspector Calls, Guangzhao LYU on Wei Ma’s “Formerly Slow” and Hao Jingfang’s “Folding Beijing,” So Mayer on Star Trek: Discovery, Marie Vibbert‘s survey of class representation in SFF, Farah Al Yaquot on Petrosyan’s The Gray House, Ali Baker on de Larrabeiti’s Borribles, Andi C. Buchanan on Cipri’s Finna, and an extensive guest editorial from Nick Hubble.
Cover by Sinjin Li.
Vector 293 (2021)
Vector 293 is a collaboration with guest editors Yen Ooi and Regina Kanyu Wang. Yen Ooi introduces the issue as well as many of its recurring concepts, such as techno-orientalism. Regina Kanyu Wang takes us through the history of women writing SF in China. Artist and curator Angela Chan interviews Beatrice Glow about her work with colonial histories and the ability of science fiction to ‘tell truthful histories and envision just futures together’ through art. The conversation about history, futures, science fiction and art continues in Dan Byrne-Smith’s interview with Gordon Cheung. Chinese SF scholars Mia Chen Ma, Frederike Schneider-Vielsäcker and Mengtian Sun offer glimpses of their recent and ongoing research. Authors Maggie Shen King (An Excess Male) and Chen Qiufan (Waste Tide) interview each other about their recent novels. Feng Zhang introduces us to the SF fandom in China, while Regina Kanuy Wang brings us up to speed with accelerating Chinese SF industry. Dev Agarwal questions the maturity of the Chinese SF blockbuster as can be judged from Shanghai Fortress and The Wandering Earth (both available on Netflix). Virginia L. Conn explores Sinofuturism, while Emily Xueni Jin delves into the implications of translating a growing body of SF work from Chinese into English. We learn about the global perspectives on Chinese SF from an illustrious panel assembled at WorldCon 2019, and about transnational speculative folklore of the Uyghur people from Sandra Unerman. Niall Harrison completes the issue with an illuminating survey of Chinese short SF in the 21st Century.
Front and back cover images by Cao Fei (front photo credit: Gautier Deblonde), courtesy of the Serpentine Gallery.
Vector 292 (2020)
This special issue of Vector is all about SFF and contemporary art, guest-edited by Rhona Eve Clews. In this issue, Smin Smith explores transmedia worlding in Marine Serre’s FutureWear, while Alexander Buckley and Hannah Galbraith offer a selection some of the most exciting SFF-themed art from contemporary African artists. Declan Lloyd examines the tempestuous temporalities of the artist Neo Rauch, while Rachel Hill traces the twisting threads of Sinofuturism, cyberpunk, and AI futures in the work of artist Lawrence Lek. Frank L. Cioffi takes us on a tour through the science fictionality of conceptual art, while Alex Butterworth delves into the mysteries of Damien Hirst’s The Wreck of The Unbelievable and conducts his own speculative imaginings about the future of digital curation.
We’re also delighted to include interviews with the incredible artists Julianna Huxtable and Sensory Cartographies (Jonathan Reus and Sissel Marie Tonn). Artist and researcher Stephanie Moran discusses her art practice in ‘Eco-SciFi Art and Interspecies Technology.’
Andrew M. Butler reviews Science Fiction, edited by Dan Byrne-Smith and featuring contributions about SFF and art from Margaret Atwood, J. G. Ballard, Rosie Braidotti, Rachel Carson, Donna Haraway, Xin Wang, and many others. In Kincaid in Short, Paul Kincaid looks at Art and Science in Charles Harness’s ‘The Rose,’ and Vector Recommends brings you Fiona Moore on Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora and Eugen Bacon on The Perfect Nine.
This issue also includes information on the diversity and anti-racism motions passed at the BSFA’s 2020 AGM, and a message from the Chair Allen Stroud about current opportunities for volunteering with the BSFA. In a special editorial, guest editor Rhona Eve Clews explores this issue’s wealth of words in conversation with Stephanie Moran. It’s a bumper issue at 88 pages. To get a copy, join the BSFA.
Front cover by Fabrice Monteiro, back cover by Juliana Huxtable.
Future issues are likely to focus on themes including Greek SFF, SFF and Prediction, SFF and Justice, SFF and Libraries, and SFF and Modernism. Keep an eye out for the call for submissions, or get in touch with an informal query.
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