Magazine

The current issue, Vector 291

Vector291 - 22 June

In this issue you will find several insightful articles: “The Dystopian Narrative: an Analysis of Texts that Portray Nightmarish Futures” by Giovanna Chinellato; “The Needle and the Wedge: Digital Games as a Medium for Science Fiction” by Monica Evans; and “Amazofuturism and Indigenous Futurism in Brazilian Science Fiction” by Gama and Garcia.

An exciting array of interviews: “This Is How You Produce The Time War”: Powder Scofield interviews Amal El-Mohtar and Max Gladstone; “Another Kind of Party”: Vector interviews Catherynne M. Valente; “The Science and the Politics”: Vector interviews Nancy Kress; “Actions and Reactions and Ripple Effects”: Liz Lutgendorff interviews Valerie Valdes; “Living among the Leviathans”: Robert S. Malan interviews Stewart Hotston; and “More Politics, More Magic, and More Queer”: Alison Baker interviews Juliet Kemp.

There is also a regular column by Paul Kincaid called “Kincaid in Short” – in Vector 291 its subject is a short story by Brian Aldiss “The Girl and the Robot with Flowers”. There are three highlighted book reviews from The BSFA Review by Andy Sawyer,  Maureen Kincaid Speller and Kate Onyett, as well as a special review by Nick Hubble of Sideways in Time: Critical Essays on Alternate History Fiction edited by Glyn Morgan and C. Palmer-Patel. Finally, this issue features an essay by Dev Agarwal “Us: A film about ‘Them’?”, a conference report by Jasmine Sharma on “Productive Futures: The Political Economy of Science Fiction” and several artworks by the artist David Lunt.

Cover by David Lunt.

Vector 290:

Vector 290 version 8M
Cover art by Andrea Morreau

The last two issues of Vector had themes — #288’s ‘Future Economics’ and #289’s ‘African and Afrodiasporic SF’ — but this issue is once more a Deck of Many Things. Andrew Wallace reveals all about judging the Clarke Award. Christina Scholz recounts linguistic revolutions in Milton and Miéville. Stephen Baxter reflects on AI and Thunderbirds and Paul Kincaid discusses the late great Iain [M.] Banks. Katie Stone reviews Sophie Lewis’s Full Surrogacy Now, while Vector Recommends brings you Paul Graham Raven on Nick Harkaway’s Gnomon and Nick Hubble on Ursula K. Le Guin’s The Left Hand of Darkness. We’ve got interviews with Emma Newman and Yoon Ha Lee, and glimpses from SF fandom around the world with reports from WorldCon 2019 and IceCon 2018. We hope you enjoy. 

Cover by Andrea Morreau

Vector 289:

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Cover art by Ronnie McGrath

Vector #289 (August 2019) is a special issue on African and Afrodiasporic SFF, guest edited by Michelle Louise Clarke. It includes articles by Michelle Louise Clarke, Anwuli Okeke, and Chinelo Onwualu on the state of contemporary SFF across Africa and the African diaspora; Jonathan Hay on clipping.’s Splendor & Misery; Kate Harlin on Afrofuturism and Afro-Pessimism in Black Panther and the short fiction of T.J. Benson; Päivi Väätänen on Nnedi Okorafor’s short fiction; Lidia Kniaź on African SFF cinema by Miguel Llansó and Wanuri Kahiu; Andy Sawyer on AfroSF Vol. 3 ed. Ivor W. Hartmann; Gemma Field on Nnedi Okorafor and ecological crisis, Nick Wood on South African comics; Masimba Musodza on the experience of writing SFF in ChiShona; plus Polina Levontin interviewing Dilman Dila, Louisa Egbunike interviewing Wole Talabi, and Joan Grandjean interviewing Mounir Ayache.

92 pp. Our columns from Stephen Baxter and Paul Kincaid are taking a break but will be back next issue. Select articles will appear on the Vector website over the next few months; full issue available only to BSFA members.

Vector 288:

Vector 288 Thumbnail
Cover art by Ian Long

Andy Sawyer’s final Foundation Favourites column, as well as our regular columns from Stephen Baxter and Paul Kincaid, plus the BSFA’s Claire Boothby on changes to the BSFA Award.

Our special economics-themed feature: Kirsten Bussière on Cory Doctorow’s Walkaway; Benjamin Franz on the movie Moon, Madeleine Chalmers on Economic Science Fictions ed. Will Davies, ‘Rapparitions,’ part-essay, part-speculative future, by AUDINT; Erin Horáková on Diana Wynne Jones’s A Tale of Time City; Josephine Wideman on Samuel Delany’s Dhalgren; Esko Suoranta on Malka Older’s Infomocracy; and Robert Kiely and Sean O’Brien on recent near future short fiction.

Lots of extras: a quiz about marvellous money and fantastic finance, economic SF writing prompts, the speculative economist’s scrapbook, recommendations from The BSFA Review, an exploration of Universal Basic Income, snippets from interviews with Dave Hutchinson, Laurie Penny, and Florence Okoye. It’s another bumper issue at 76pp. Now available

Vector 287:

Cover Vector287_Final Small
Cover image: Larissa Sansour and Søren Lind from ‘In the Future, They Ate from the Finest Porcelain’

An interview with Larissa Sansour by Polina Levontin and Jo Lindsay Walton, plus a review of Larissa Sansour’s work. TV in 2017 by Molly Cobb and So Mayer.

Film in 2017 by Nick Lowe, Andrew Wallace, Dilman Dila, Cheryl Morgan, Ali Baker, Paul March-Russell, Amy C. Chambers, Lyle Skains, Gary Couzens, and Dev Agarwal. 

Ricardo Suazo reflects on SF inspired trends in fashion, and Martin McGrath takes a close look at three panels from Avengers #8.

Games and AR are covered by Erin Horáková, Susan Gray, and Jon Garrad.

With also have an extensive section on audio and podcasts in 2017 with Peter Morrison, Erin Roberts, Laura Pearlman, Victoria Hooper and Tony Jones.

And of course three Recurrent columns with Paul Kincaid, Andy Sawyer and Stephen Baxter, plus the Torque Control editorial by Jo Lindsay Walton.

This one’s a bumper issue — 80 pages! If you are a member of the BSFA, a copy of Vector 287 was mailed to you in March 2018. If you’re not a BSFA member yet, why not sign up now?

Missed this issue? Don’t worry, this one is also available on Lulu.

Future issues:

Our next themed issue will explore speculative art and the following one will focus on Chinese SF. Keep an eye out for the call for submissions, or get in touch with an informal query.

Back issues:

An index of back issues of Vector can be found at the ISFDB. For availability of individual issues, please contact us. Many digital copies of Vector are also available through FANAC.

To subscribe to Vectorjoin the British Science Fiction Association. Membership is open to anyone in the world. Members receive VectorFOCUS, the BSFA Review, special one-off publications, and other benefits. The BSFA is a nonprofit organisation, entirely run by volunteers.