Vector is open to submissions on a rolling basis. To query, contact For standard submissions, we prefer around 1,000 to 3,500 words. For academic articles, we prefer 3,500 to 6,000 words. Whatever you’re submitting, we’re looking for writing that is intellectually stimulating and sophisticated, but also accessible and engaging to a wide audience. From the start of 2021 (issue #293 onwards), all Vector content will be licensed under CC-BY-NC-ND 4.0 except where otherwise arranged and stipulated. There’s more information about that below, and even more information here.

General Submissions

Vector is the critical journal of the BSFA. It is edited by Polina Levontin and Jo Lindsay Walton, along with occasional guest editors. We are open to submissions on a rolling basis. To query, contact We are interested in:

  • Non-academic articles on SFF, science, technology, and related subjects (usually 1,000 to 3,500 words)
  • Academic articles (usually 3,500 to 6,000 words)
  • Interviews and roundtables
  • Conference and convention reports
  • Occasional reviews of SFF magazines, non-fiction, exhibitions, movies, TV, games, and new media (fiction reviewers should get in touch with The BSFA Review instead)
  • Queries from prospective guest editors
  • Queries from prospective advertisers

Vector especially welcomes contributions that can appeal both to scholars of science fiction and to non-academic fans. Contributors are advised to familiarise themselves with the style and tone of the journal prior to submitting. We seek lively, engaging, accessible articles, underpinned by rigorous and careful research. We like interdisciplinarity, and we welcome both articles about SFF, and articles that explore the politics and ethics of contemporary science, technology, and policy. Contributors will receive a copy of the journal. Word limits given above are guidelines and may be flexible, depending on the article.

In recent times issues have usually had a theme; recent themes have included “Future Economics” and “African and Afrodiasporic SFF,” forthcoming themes may include “SFF and Contemporary Art,” “Chinese and Sinodiasporic SFF,” “SFF and Class,” “SFF and Modernism,” and “SFF and Prediction.”

All submissions will also be considered for the website.

We don’t publish fiction.

We also welcome inquiries from prospective guest editors.

Copyright: From the start of 2021 (issue #293 onwards), Vector content will be released under a CC-BY-NC-ND 4.0 license. In submitting work to Vector you agree that, if it accepted for publication, it will be published under the CC-BY-NC-ND 4.0 license unless arranged otherwise in writing. In essence, this means that others may share or republish articles from Vector for non-commercial purposes, so long as proper attribution is given to the author, and so long as the work is not altered. This license cannot be revoked. The author of the work retains copyright, and can alter and/or republish the work however they wish, including for commercial purposes, without requiring any permissions, and can license or assign further rights as they wish. If you would prefer a different arrangement, we can accommodate this, if requested in writing before publication.

For scholars: Vector is both a fanzine and an academic journal. Vector’s distinctive editorial approach is informed by our mission to speak to a mixed audience of non-academics as well as academics across all disciplines. The kind of editorial attention we give to each submission is determined by its individual nature and aims. Vector is not normally a peer-reviewed journal, although anonymous peer reviews can be arranged on request by the author. Vector has always been informally been green open access, in that authors are welcome to deposit their articles in institutional repositories or elsewhere, with no embargo period. From issue #293 onward, Vector articles are additionally released under a CC-BY-NC-ND 4.0 license, except where otherwise explicitly arranged in advance.

Other BSFA publications: Focus is the BSFA’s magazine focused on writers and writing, currently edited by Dev Agarwal. The BSFA Review is the BSFA’s digital reviews zine (formerly part of Vector), edited by Sue Oke.  Fission is the BSFA’s fiction publication, newly launching in 2021. Members also receive a regular email newsletter with news and snippets from the BSFA Chair, Allen Stroud.