Vector currently has several themed calls for submissions out (see below). Vector is also open to general submissions on a rolling basis. To query, contact firstname.lastname@example.org. For standard submissions, we prefer around 1,000 to 3,500 words. For academic articles, we prefer 3,500 to 6,000 words. Whatever you’re submitting, we’re looking for writing that is intellectually stimulating and sophisticated, but also accessible and engaging to a wide audience. From the start of 2021 (issue #293 onwards), all Vector content will be licensed under CC-BY-NC-ND 4.0 except where otherwise arranged and stipulated. There’s more information about that below, and even more information here.
If you would be interested in contributing a look back at 2021 in SFF literature, cinema, comics, art, games, or other media, or an article documenting your year in SFF, please get in touch. Here are some examples from previous years: 2018 in SFF ｜2019 in SFF｜2020 in SFF.
Vector is the critical journal of the BSFA. It is edited by Polina Levontin and Jo Lindsay Walton, along with occasional guest editors. We are open to submissions on a rolling basis. To query, contact email@example.com. We are interested in:
- Non-academic articles on SFF, science, technology, and related subjects (usually 1,000 to 3,500 words)
- Academic articles (usually 3,500 to 6,000 words)
- Interviews and roundtables
- Conference and convention reports
- Occasional reviews of SFF magazines, non-fiction, exhibitions, movies, TV, games, and new media (fiction reviewers should get in touch with The BSFA Review instead)
- Queries from prospective guest editors
- Queries from prospective advertisers
Vector especially welcomes contributions that can appeal to a mixed audience of both academics and non-academic fans. Contributors are advised to familiarise themselves with the style and tone of the journal prior to submitting. We seek lively, engaging, accessible articles, underpinned by rigorous and careful research. We like interdisciplinarity. We welcome both articles about SFF, and articles that explore the politics and ethics of contemporary science, technology, and policy. Contributors to the print journal will receive a copy of the journal. Word limits given above are guidelines and may be flexible, depending on the article.
In recent times the print issues of Vector have usually had a theme; recent themes have included “Future Economics”, “African and Afrodiasporic SFF,” and “SFF and Contemporary Art.” Forthcoming themes are likely to include “Chinese and Sinodiasporic SFF,” “SFF and Class,” “SFF and Modernism,” and “SFF and Prediction.” Keep an eye out for calls for submissions.
Submissions which do not align to any upcoming themes will be considered for web publication. Submissions to themed calls for papers will be considered for both web and print publication.
We don’t publish fiction.
We also welcome inquiries from prospective guest editors.
Current Themed Calls
- #294: SFF and Class: abstracts due 15 April. Guest editor Nick Hubble.
- #295: Greek SFF: abstracts due 16 May. Guest editor Phoenix Alexander.
- #296: SFF and Justice: abstracts due 9 July. Guest editor Stewart Hotston. See also notes and inspiration.
- #297: SFF, Prediction, Innovation, and Futures: abstracts due 5 September. Guest editor Stephen Oram.
- #299: SFF and Modernism: coming soon. Guest editor Nina Allan.
Where appropriate, submissions will also be considered for Focus, our sibling publication which emphasises the practical craft of writing. Focus, edited by Dev Agarwal, is also open to pitches and submissions on rolling basis. For more about Focus, see the main BSFA site.
Copyright: From the start of 2021 (issue #293 onwards), Vector content will be released under a CC-BY-NC-ND 4.0 license. In submitting work to Vector you agree that, if it accepted for publication, it will be published under the CC-BY-NC-ND 4.0 license unless arranged otherwise in writing. In essence, this means that others may share or republish articles from Vector for non-commercial purposes, so long as proper attribution is given to the author, and so long as the work is not altered. This license cannot be revoked. The author of the work retains copyright, and can alter and/or republish the work however they wish, including for commercial purposes, without requiring any permissions, and can license or assign further rights as they wish. If you would prefer a different arrangement, we can accommodate this, if requested in writing before publication.
For scholars: Vector is both a fanzine and an academic journal. Vector’s distinctive editorial approach is informed by our mission to speak to a mixed audience of non-academics as well as academics across all disciplines. The kind of editorial attention we give to each submission is determined by its individual nature and aims. Vector is not normally a peer-reviewed journal, although anonymous peer reviews can be arranged on request by the author. Vector has always been informally been green open access, in that authors are welcome to deposit their articles in institutional repositories or elsewhere, with no embargo period. From issue #293 onward, Vector articles are additionally released under a CC-BY-NC-ND 4.0 license, except where otherwise explicitly arranged in advance.
Other BSFA publications: Focus is the BSFA’s magazine focused on writers and writing, edited by Dev Agarwal. The BSFA Review is the BSFA’s digital reviews zine (formerly part of Vector), edited by Sue Oke. Fission is the BSFA’s fiction publication, newly launching in 2021, edited by Allen Stroud. Members also receive a regular email newsletter with news and snippets from the BSFA Chair, Allen Stroud. For more information about these publications, including how to submit, see the main BSFA site.
Torque Control? This site was founded by Vector editors Niall Harrison and Geneva Malzack, and was originally called Torque Control. Some of the older posts still refer to it as such. We also use Torque Control as part of the title of the print Vector editorials. This site has always really been Vector‘s main online presence, although it was for a time complemented by another Vector site, which may be available in the Internet Archive.