A scientist-witch who, through an alchemical combination of juju and technology, creates wigs that grant both her and her friends supernatural powers.
Dir C J ‘Fiery’ Obasi. Nigeria 2018. 30min
This July, our roving Membership Officer Dave Lally spent four days Chengdu, Sichuan province, China, participating in the Science Fiction Sharing Conference. Here are just a few snaps from the trip.
Chengdu has 15.5m inhabitants, and we have it on good authority that Dave spoke to every one of them and encouraged them to join the BSFA.
The first ever Asiacon is likely to be held in Chengdu in October 2019, and will probably be rolled in with Chengdu’s fifth International Science Fiction Conference. Watch this space!
The BSFA would also like to thank Science Fiction World for sponsoring Dave’s visit.
Andy Sawyer’s final Foundation Favourites column, as well as our regular columns from Stephen Baxter and Paul Kincaid, plus the BSFA’s Claire Boothby on changes to the BSFA Award.
Our special economics-themed feature: Kirsten Bussière on Cory Doctorow’s Walkaway; Benjamin Franz on the movie Moon, Madeleine Chalmers on Economic Science Fictions ed. Will Davies, ‘Rapparitions,’ part-essay, part-speculative future, by AUDINT; Erin Horáková on Diana Wynne Jones’s A Tale of Time City; Josephine Wideman on Samuel Delany’s Dhalgren; Esko Suoranta on Malka Older’s Infomocracy; and Robert Kiely and Sean O’Brien on recent near future short fiction.
Lots of extras: a quiz about marvellous money and fantastic finance, economic SF writing prompts, the speculative economist’s scrapbook, recommendations from The BSFA Review, an exploration of Universal Basic Income (expanded version here), snippets from interviews with Dave Hutchinson, Laurie Penny, and Florence Okoye. It’s another bumper issue at 76 pages.
Indigo Zoom: The Awakening
Film Screening at Utopian Acts 2018
Set in a future with no safe oxygen left to breathe, the big business corporation Yonivel.co has commodified air and is selling it to the masses. We follow a wayward hydrogen hacker on their quest to #breathefree
Written, directed, edited, produced by
Ayesha Tan Jones