By Cheryl Morgan.
When the history of science fiction fandom in the 2010s is written, the key event to be discussed will doubtless be the Puppy War. That a group of right-wing fans should attempt to take over the Hugo Awards is perhaps not surprising. The 2010s are, after all, the decade in which it was conclusively proved that democratic systems are vulnerable to attack by malicious actors. That the attack failed is perhaps a testament to the strength of community sentiment within the SF&F community. But what is really surprising is what happened afterwards.
For the last three years of the decade, every single written fiction-related award in the Hugos was won by a woman.
Continue reading “The Decade That Women Won”
A Year In Feminist Speculative Fiction
By Cheryl Morgan
Top of the list for anyone’s feminist reading from 2018 must be Maria Dahvana Headley’s amazing re-telling of Beowulf, The Mere Wife. Set in contemporary America, with a gated community taking the place of Heorot Hall, and a policeman called Ben Wolfe in the title role, it uses the poem’s story to tackle a variety of issues. Chief among them is one of translation. Why is it that Beowulf is always described as a hero, whereas Grendel’s Mother is a hag or a wretch? In the original Anglo-Saxon, the same word is used to describe both of them. And why do white women vote for Trump? The book tackles both of those questions, and more. I expect to see it scooping awards.
A personal favourite of mine, though possibly a little too off-the-wall for some tastes, is Catherynne M. Valente’s Space Opera. The usual pyrotechnic prose we have come to expect from Valente is augmented by delightful comedy and an all-encompassing queerness. Valente’s time in the UK as a student has helped her to set a book here without any of the embarrassing Theme Park Britain we sometimes see from American authors. Amidst the insanity of Brexit, it seems entirely appropriate that Earth’s admission to the Interstellar Community will depend on our performance in a galaxy-wide version of the Eurovision Song Contest. The Keshet, beings who look like overly excited red pandas, are now officially my favourite alien species.
Humour also pervades the Athena Club novels of Theodora Goss. The second book in the series is European Travels for the Monstrous Gentlewoman. It takes our heroines from London to the Austro-Hungarian Empire to rescue a Miss Lucinda Van Helsing from an awful doom. They also discover that foreigners make remarkably good cake. Goss has assembled a fascinating team of characters, from the prim Mary Jekyll to the incorrigible Diana Hyde. I am particularly fond of Catherine Moreau who used to be a puma and who finds humans rather too complicated. Reading the Athena Club mysteries is very like reading Kim Newman’s books; I always come away convinced that I have missed half of the references to other stories that the author has sprinkled liberally throughout the text.
Continue reading “Cheryl’s 2018 in Feminist Speculative Fiction”
What a welcome sight! The post just arrived, and with it, the latest BSFA mailing. In addition to Vector, there’s an issue of Quantum, the BSFA’s occasional newsletter; and a paper copy of the ballot for the BSFA Awards (also available online).
There’s also a NewCon Press sampler which includes excerpts from The Outcast and the Little One by Andy West and Kim Lakin-Smith’s BSFA best novel-nominated Cyber Circus. Ian Whates assures me that the booklet went to press well before the BSFA Award nominations for best novel were known and announced.
Lest the prompt arrival of the paper copy of the ballot worry anyone, we’re still planning to do a short story booklet of stories nominated for the BSFA award for the best short story of 2011; but the logistics of that take just long enough that it’ll be coming in the mailing after this one.
This issue of Vector is partially a followup to the poll which Niall ran last year, on the best sf novels by women written in the previous decade. It also has Adam Roberts’ reflections on writing music entries for the Science Fiction Encyclopedia, and Andrew M Butler’s review of the three versions of the John Martin: Apocalypse show which recently closed at the Tate Britain. (The review was printed here on Torque Control in late December to make sure it would be read before the show closed!)
Vector 269 is labeled the Spring 2012 issue, which means we seem to have skipped winter entirely, despite what today’s chilly weather seems to imply.
Vector 269 contains…
Women SF Writers: An Endangered Species? – Cheryl Morgan
Death and Transcendence in the “Forged” Novels of Justina Robson – Tony Keen
Telling the World: The Exodus Trilogy by Julie Bertagna – Niall Harrison
Single-Gendered Worlds In Science- Fiction – Better For Whom? – Victor Grech with Clare Thake-Vassallo, and Ivan Callus
On Science Fiction Music – Adam Roberts
John Martin: Apocalypse – A Review – Andrew M Butler
Kincaid in Short – Paul Kincaid
Resonances – Stephen Baxter
Foundation Favourites – Andy Sawyer
Picture This – Terry Martin
The BSFA Review – edited by Martin Lewis