By Carter Kaplan

Wave IX

J.G. Ballard’s story “Studio 5, The Stars” appeared in Science Fantasy magazine in 1961. The story is set in “Vermilion Sands”, a desert art colony suggesting the post-war “hothouse” desert compounds created in the American Southwest by painters like Max Ernst and Georgia O’Keefe. In Ballard’s Vermillion Sands, art, artists, poetry and landscape blend in remarkable ways, and the possibility of elements of virtual reality appear to be an operative dynamic, though this possibility remains unexplained, or anyway is deliberately obscured to enhance the futuristic feel of the community, and as well represent the confusion that should properly attend a world that is in contact with computers, simulation, and muddled human perceptions.  The setting is thus an opportune field for blending a broad—indeed unlimited—range of aesthetic figures and themes. The plot follows the adventures of Paul Ransom, editor of the poetry magazine Wave IX. He is beset by submissions of bad writing (fragments in the form of computer tapes are often floating through the sky above Vermilion Sands). The poetry is produced by computers styled as Verse Transcribers or VT’s. The stale submissions form a point of departure for exploring the subject of poor writing, and how the production of poor writing is driven by complacency, intellectual laziness, cliché, formulae, cultural homogenization, stale involvement, theoretical strictures, official channelings, academic repetition, market forces, fossilized traditions, and so on.  

Jean-Paul L. Garnier, the editor of Wave IX the book before us, presented Ballard’s story to the contributors and asked for submissions. There were very little instructions; contributors were simply encouraged to follow their inspiration. A variety of graphic images, poems and fictions were submitted. Here is a review of these pieces, followed by suggestions for further exploration and discussion. I am a contributor to the project, as described below.

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