Tag: jo walton
Vector #273
- 3 • Torque Control (Vector 273) • [Torque Control] • essay by Shana Worthen
- 4 • The Descendants of d’Artagnan: Alexandre Dumas and SFF • essay by Kari Sperring
- 7 • Diana Wynne Jones and the Oxfordshire Countryside in Power of Three • essay by Julia Cresswell
- 12 • Dialogue and Doomsday: Comedy and Conviction in Connie Willis and Oscar Wilde • essay by Gillian Polack
- 17 • The Volunteer, or Editing Vector and Beyond … • essay by David Wingrove
- 21 • Inside the V&A: Memory Palace • essay by Tom Hunter
- 22 • Gadget City by I O Evans • [Foundation Favourites] • essay by Andy Sawyer
- 24 • Meet the President! • [Kincaid in Short] • essay by Paul Kincaid
- 27 • Drilling for Oil in the North Sea • [Resonances] • essay by Stephen Baxter
- 31 • The BSFA Review (Vector 273) • [The BSFA Review] • essay by Martin Lewis
- 31 • Review of the graphic novel Savage: The Guv’nor by Pat Mills and Patrick Goddard • essay by Jonathan McCalmont
- 32 • Review: Stone Spring by Stephen Baxter • review by Niall Harrison
- 32 • Review: Bronze Summer by Stephen Baxter • review by Niall Harrison
- 32 • Review: Iron Winter by Stephen Baxter • review by Niall Harrison
- 34 • Review: Adam Robots by Adam Roberts • review by Dan Hartland
- 35 • Review: Jack Glass by Adam Roberts • review by Dave M. Roberts
- 35 • Review: The Soddit by Adam Roberts • review by David Hebblethwaite
- 36 • Review: Among Others by Jo Walton • review by Shaun Green
- 37 • Review: Wolfhound Century by Peter Higgins • review by Duncan Lawie
- 38 • Review: Communion Town by Sam Thompson • review by Mark Connorton
- 39 • Review: The Peacock Cloak by Chris Beckett • review by Martin McGrath
- 39 • Review: Solaris Rising 2: The New Solaris Book of Science Fiction by Ian Whates • review by Andy Sawyer
- 40 • Review: Existence by David Brin • review by Martin McGrath
- 41 • Review: 2312 by Kim Stanley Robinson • review by Gary S. Dalkin [as by Gary Dalkin]
- 41 • Review: Redshirts by John Scalzi • review by Liz Bourke
- 42 • Review: Nexus by Ramez Naam • review by Paul Graham Raven
- 43 • Review: The Curve of the Earth by Simon Morden • review by Stuart Carter
- 43 • Review: The Water Sign by C. S. Samulski • review by Karen Burnham
- 44 • Review: Dangerous Waters by Juliet E. McKenna • review by Patrick Mahon
- 44 • Review: Darkening Skies by Juliet E. McKenna • review by Patrick Mahon
- 45 • Review: The Legend of Eli Monpress by Rachel Aaron • review by A. P. Canavan
- 46 • Review: The Iron Wyrm Affair by Lilith Saintcrow • review by Graham Andrews
- 46 • Review: Hell Train by Christopher Fowler • review by Lalith Vipulananthan
- 47 • Review: Whispers Under Ground by Ben Aaronovitch • review by Anne F. Wilson
- 47 • Review: A Discovery of Witches by Deborah Harkness • review by Cherith Baldry
- 48 • Review: Railsea by China Miéville? • review by Liz Bourke
- 49 • Review: Dark Peak: The First Elemental by J. G. Parker • review by Sue Thomason
- 49 • Review: Sea Change by S. M. Wheeler • review by Mark Connorton
- 50 • Review: Zenn Scarlett by Christian Schoon • review by Alan Fraser
- 50 • Review: The Mad Scientist’s Daughter by Cassandra Rose Clarke • review by Anne F. Wilson
- 51 • Review: Boneshaker by Cherie Priest • review by Alan Fraser
- 51 • Review: Apollo’s Outcasts by Allen Steele • review by Ian Sales
Farthing update
Niall’s been swamped, between the Strange Horizon fund-raising drive and travel, so while his posts are Farthing are still forthcoming, I can’t say when.
In the meantime, there’s some news on the subject of the book’s availability in the UK! Regardless of why it may or may not have been unpublished in the UK before now, Jo Walton has now sold world English rights for the book to Tor. The major immediate impact of this is that the audio book version of Farthing is now available in the UK (from Audible or wherever else you choose to buy it from).
Coming up: Farthing
The next book in our ongoing Future Classics series is Jo Walton’s Farthing. Niall will be leading discussion, likely starting before the end of September.
Farthing was published two years after Gwyneth Jones’ Life, which means 2005 is the first year of the last decade we have skipped. None of the books published that year made it onto our list of the top-10 science fiction novels by women of the last decade.
2006, however, gave us Farthing, the first of Walton’s Small Change trilogy. It was also the year that Pluto was demoted from being a planet; novels by five male authors were shortlisted for the best novel for the Hugo Award; and Octavia Butler, Stanislaw Lem, Jack Williamson, and Jim Baen died.
Farthing was shortlisted for a slew of awards, including the Nebula, the John W Campbell Memorial Award, the Sidewise Award for Alternate History, and the Locus award. It won the Romantic Times 2006 Reviewers’ Choice Award for Science Fiction.
I hope you will be able to join us in reading and discussing Farthing.
Top Ten Writers
As was noted back at the start of the week, and by a good number of people casting their votes in the poll, the popularity of series in the sf field can make it hard to single out individual books. Moreover, many writers are prolific — if someone’s written one outstanding novel in a decade, they may have an advantage, in this sort of poll, over someone who’s written three. So here’s another way of looking at the data, counting up the top ten writers who were nominated for multiple books, ordered by total nominations received.
1. Gwyneth Jones
Not a surprise, given her three appearances this week. But two other books were also nominated: Castles Made of Sand, the follow-up to Bold as Love, and Siberia, one of Jones’ YA novels (published as by Ann Halam).
2. Justina Robson
Natural History did well, of course, but plenty of people also nominated Living Next-Door to the God of Love, Mappa Mundi and Keeping it Real.
3. Tricia Sullivan
As noted in this morning’s post, in addition to Maul, nominations were sent in for every other novel she’s published this decade — Double Vision, Sound Mind, and Lightborn.
4. Elizabeth Bear
The first writer to appear on this list who hasn’t appeared in the main top ten, Bear received nominations for Hammered (often as a proxy for the whole Jenny Casey trilogy), standalones Carnival and Undertow, for Dust, and for By the Mountain Bound.
5. Elizabeth Moon
In addition to Speed of Dark, Moon picked up nominations for Trading in Danger and Moving Target.
6. Jo Walton
Farthing‘s placement low in the top ten certainly doesn’t reflect the strength of support Walton received, with many nominations for the second Small Change novel, Ha’Penny, and for Lifelode.
7. Liz Williams
Like Bear, Williams hasn’t made it into the main top ten; but she achieves the distinction of having more novels nominated than any other writer, six in total:Ghost Sister, The Poison Master, Empire of Bones, Nine Layers of Sky, Banner of Souls, and Darkland.
8. Karen Traviss
In addition to the nominations for City of Pearl, Traviss picked up a few nods for her tie-in work — Gears of War novel Aspho Fields, and Star Wars novels Hard Contact, 501st, and Order 66.
9. Ursula K Le Guin
Lavinia accounted for the bulk of Le Guin’s nominations, but a few enthused about the Western Shore novels, in particular Gifts and Voices.
10. Connie Willis
And finally, Willis picked up nominations for both Blackout/All Clear, and for Passage — both not that far off the top ten.
Ranking calculated from 101 responses to a poll run during October, November and December 2010.
Future Classics: #9
Farthing by Jo Walton (2006)
Farthing, the start of the Small Change alternate history series, was nominated for the Nebula, John W Campbell Memorial, and Sidewise awards (among others). Adrienne Martini was typical of the book’s reviewers:
Despite the parallels to today’s current political climate (just substitute “Liberal” for “Communist”), the murder mystery is the spine from which the rest of the book moves. A Scotland Yard inspector, who has his own reasons to avoid prying eyes, is brought in and the narration alternates between his point of view and Lucy’s. It’s an effective technique and one that keeps you flipping through pages, despite the fact that the identity of the murderer is fairly well telegraphed in the first few pages. Lucy and the inspector make you want to know why it was done and, more importantly, what will be done about it.
But Farthing is also a book about fascism and the parallels between her Britain and today’s climate is never didactic and always effective. It’s also a book about husbands and wives, however, and about class and sex. It is quite an achievement, brothers and sisters. Hallelujah.
See also Paul Kincaid’s review from the New York Review of Science Fiction; Sherwood Smith at SF Site; David Soyka in the Internet Review of SF; and (with a few reservations) Dan Hartland at Strange Horizons.
Ranking calculated from 101 responses to a poll run during October, November and December 2010.