So that was the year that Yaz (and Ryan) jumped in the TARDIS.
And Meg Murry (and Charles Wallace) found A Wrinkle in Time. Simone took The Good Place (and Chidi, Tehani and Jason) into an MRI chamber. Plus Shuri (and T’Challa, Killmonger, Nakia, Okoye, Ramonda, Ayo, M’Baku, and many more) made Black Panther – and she had a whole lot more to say and do, on Earth and in space, in Nnedi Okorafor’s playful and powerful comic series (up to issue 3 so far). Let’s not forget foresighted Rosalind Walker (and Susie Putnam, and the brilliantly louche Ambrose Spellman) in The Chilling Adventures of Sabrina. Foyles made Tomi Adeyemi’s ambitious Children of Blood and Bone their Children’s Book of the Year 2018, a story of Orisha magic led by Zélie. N.K. Jemisin completed an unprecedented Hugo Award trifecta – three Best Novel awards over three years – with the third volume of the Broken Earth series, The Stone Sky, a mother-daughter-mineral tale resonant with contemporary apocalyptic concerns, which also won the Nebula and Locus awards for best novel.
It seems reductive to label this transformation of the field with the hashtag #blackgirlmagic, but it is equally undeniable that the black girl nerd community online has driven the passionate uptake of Meg, Shuri, and Ros, and of writers such as Okorafor, Adeyemi, Jemisin, and Malorie Blackman, who, with ‘Rosa,’ became the first non-white writer to contribute a script for televised Doctor Who, the new series’ highest-rated episode. A BBC adaptation of Blackman’s ground-breaking alternative history novel Noughts and Crosses, co-produced by Jay Z’s Roc Nation company, has started filming, two years after the project was first announced: a strong sign, perhaps, that at the high-profile conjunction of screen media and SFF literature, change is in motion.