Wole Talabi: My Favorite African SFF Short Fiction of 2020

By Wole Talabi

This post first appeared here.

2020 started out dangerously for me. A volcano erupted near Manila just as I was flying into the city to transit back to Kuala Lumpur and we all watched with concern as the pilot had to dodge the dust and volcanic ash cloud to get us into the city. Exciting. Or not. We were the last flight to land before the airport was shut down for 3 days for safety so we were stuck there. It was a mess. One could say it was an omen of what was to come because what followed that in quick succession within the first few weeks of the year was political turmoil, an oil price crash, and then the pandemic and all that followed it.

What a difference a year makes.

Despite all that though, some good things did happen and I look forward to 2021 with cautious optimism that things will get better by the end of it.

Although I didn’t have any new stories published in 2020 (I was just far too busy with personal life and work and research and other things) I did sow the seeds of things that could/should pay off in the future, especially for my writing. I signed with the excellent Van Aggellen African Literary Agency and edited a book I’m quite proud of – Africanfuturism: An Anthology with the good folks at Brittlepaper and it includes stories by some excellent authors: Nnedi Okorafor, TL Huchu, Dilman Dila, Rafeeat Aliyu, Tlotlo Tsamaase, Mame Bougouma Diene, Mazi Nwonwu, and Derek Lubangakene. Its gotten (two!) great reviews from Locus and I personally think it contains some of the best African SF stories of the year. I suppose that makes me eligible for best editor (Short Form) for the Hugo awards and stuff so that’s nice. It is available for free download and you can also read the individual stories online.

Africanfuturism: An Anthology is just one of several places to find excellent African SFF in 2020. There was a lot to choose from. If you want a working list of (almost) everything that came out last year, check out THIS link. (I’d also like to encourage you to please fill this form with any works that might have been missed out, it is growing increasingly difficult to keep up with everything published – which is a good problem to have – but with constraints on my time tightening, its also a problem that’s getting worse). This gives us all plenty of material to be considered for this year’s Nommo awards. Especially in the short fiction category which I have repeated multiple times is the category I enjoy writing, reading and keeping up with most because I basically grew up on SF short fiction – Asimov’s Hugo winners collections and Dozois’s Years Best SF kept me tethered to the field even when I went through the valley of the shadow of my SF reading-death. So as it is now a tradition of sorts, I’d like to highlight the African speculative fiction short stories I read and enjoyed most from the wildly disruptive year gone by.  

[Before we begin, as always, a few notes: these are my personal favorites or those that left a lasting impression on me based on my own tastes. They are largely stories I’d personally recommend. Also, while I’ve read a lot of the African SFF short work put out this year, I’m sure I haven’t read everything. I am also really restricting myself to just 10 in this list, as difficult as that is, unlike in previous years where I would use ties to sneak more works in by pairing them with others that are thematically similar. And finally, I usually don’t include my own stories published that year for obvious bias and while Africanfuturism: An Anthology easily contains many of my favorite stories of the year, given how involved I was in shaping those stories, I have decided not to include any of them on this list. So without further ado, here are my 10 favorite African speculative fiction short stories of 2020, in no particular order.]

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Looking Back: 2010-2020

By Maureen Kincaid Speller.

To be honest, the last ten years have been such a blur I’d barely registered the fact that we have arrived at the threshold of a new decade. But here we are (or not, depending how pedantic you’re feeling – I’m happy to be guided by common usage), and it’s a useful moment for thinking about what I’ve read in that time. Or not, because, along with time passing at a speed that seems indecent, it turns out that this last decade was one in which I either didn’t read much (being a recovering postgraduate will do that to a person) or else a lot of what I did read somehow didn’t find its way into my long-term memory. 

Except that, once I looked at a few lists, I realised that, actually, I had read quite a lot during that period but the effort of moving forward had somehow subsumed it into an amorphous space called ‘the recent past’. Also, I am hopeless at remembering dates of publication: last week, last month, last year, some time ago, whenever. 

But I can tell you that in 2010 I was very excited about Ian McDonald’s The Dervish House. I was and am a huge admirer of McDonald’s work, and at that point also deeply preoccupied with Orhan Pamuk’s writing (still am), so the Turkish setting intrigued me, as did the presence (or indeed, mostly, absence) of a mellified man, reflecting my interest in the strange, the offbeat, the peculiar. But I also appreciated the novel’s densely layered portrayal of a near-future society with a very complex cultural identity. Looking back I can see now that The Dervish House has set the tone for a lot of my reading since then. 

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