Natural History – Cladistics

I cannot tell you exactly what my first impressions of Justina Robson’s Natural History were. I read the book a couple of years ago and failed to take notes.

I remembered it as densely-confusing in its early chapters, the world-building too rich to take in at the pace at which it was presented. (It works better the second time around.) Still, moments stuck in my mental vision of the book: Isol hurtling through space; the airplane taking off at long last; the dog under the desk. It’s strange how memory works. Two of those three images are not really all that significant in terms of the plot, but rather, are concluding images of particular threads. Isol, on the other hand, is how it all begins.

Isol is one of the Forged, created by future humanity, partially machine, partially derived from animal DNA, partially human. Isol’s body was made to stand the rigors of long-distance travel through the galaxy; her personality was chosen for its robustness in the face of years of isolation. Other Forged are part jellyfish or manta-ray-like airplanes. They are odd, they are Other, but their core of personality is human.

Robson is inspired in the ways she demonstrates how different they are. Early on, there’s a scene in which a not-much-bigger-than-human Forged is visited by a mile-long spaceship transport Forged. In another scene, an observer realizes that, although the Forged of Jupiter and Saturn are physically similar, one is miniscule, the other gigantic.

The Forged are primarily designed to live where humans cannot. They were made for deep space, deep seas, and the skies. As a result, many humans spend much of their lives without running into many Forged, especially the rarer ones. How rare do they get? The story includes at least two very rare varieties, one of whom may be the only one of his type. There are only three of the other. Fortunately for their perpetuity, they do not reproduce, but are made by an absolutely-enormous Mother-Father Factory-like parent in low Earth orbit, the Pangenesis Tupac. (The original one, long-since decomissioned, was named Eve.)

How Other are they? That debate is one of motivations which drives the plot; the Forged do not agree among themselves if they are enough like Unevolved humans to keep to the Solar System, or if they should look elsewhere for their future.

Humans are not sure either. Archeologist Zephyr Duquesne tells a student to read up more on ancient Rome, and compare its use of human slaves to the way modern humans make used of the Forged, pointing out that

“the slaves of the modern age, according to many of their political extremists, are the Forged. You might compare the situation in Rome to this and decide if you think their point is valid. What’s the point of history if it has nothing to say to the present?” (69).

Where their personalities are human, their naming echoes that of species. Isol is, in full, Voyager Lonestar Isol. Zephyr’s first Forged transportation is courtesy of IronHorse AnimaMekTek Aurora. It is very much an intentional echoing of the way taxonomy is used with more traditional species. There are a variety of kinds of IronHorses, but they are all of the same clade, all variants of some earlier Forged model.

The Natural History of this future plays out through the intersections of engineering, willpower, geography, and cladistics.

(To be continued)

Clarke Award Contest – closes tonight

Tomorrow, the Clarke Award jury will spend their day coming to a consensus on which book on the shortlist should win this year’s Arthur C Clarke Award.

If you would like to place your own guess as to which of the six books on the shortlist will be winning the competition this year, you have until 23:59 BST tonight to make your guess – and, if you’re lucky, win two short story collections from NewCon Press, including the just-published Fables from the Fountain, a fundraiser for the Award itself.

Details are here.

Vector 266

Vector 266 arrived with the post yesterday, along with Focus and Quantum, an occasional BSFA newsletter. It’s real, it’s approximately on time, and it might inadvertently convince recent BSFA members that Vector comes out slightly more often than it does, coming so soon on the heels of the previous issue. Really, the journal is still quarterly.

This is the 2010 year-in-review issue, featuring retrospectives on the novels, television shows, and movies of 2011, along with an article on Stephen Lawhead’s Pendragon cycle, and two new column. One, (previously in Matrix) is from Terry Martin of Murky Depths. The second, “Kincaid in Short” from Paul Kincaid, is on Kate Wilhelm’s “The Infinity Box” and, bafflingly, we collectively managed to omit it from the Table of Contents, so it’s particularly important you know it’s there, starting on p. 34.

As long as I’m providing corrections: the version below includes Jonathan McCalmont’s name correctly spelled, and, where page numbers are provided, corrections to those too.

It’s also the first issue I’ve edited.

Cover of Vector 266, with HAL 2000Table of Contents

A Year in Review, Martin Lewis
2010: Books in Review, Vector reviewers
2010: Television in Review, Alison Page
2010: Film in Review, Jonathan McCalmont
Strip Club: A Fanciful Flight, Terry Martin
The Promise and Pitfalls of Christian Agenda in Stephen Lawhead’s Pendragon Cycle, Anthony Nanson
Foundation’s Favourites: Scholars and Soldiers, Andy Sawyer
Resonances: Alpha Centauri, Stephen Baxter (p. 32)
Kincaid in Short: “The Infinity Box”, Paul Kincaid (p. 34)
First Impressions, edited by Martin Lewis (p. 37)

I’ll post the full list of books reviewed in a week or two, when our review’s editor is back from holiday.

Vector welcomes letters of comment, or feedback on the forum.

Next Year’s Art Awards

Has 2011 brought any science fictional artistic highlights with it for you? Cover art? Print? Paintings? Watercolours? Mosaics? Sculptures? What work from this year so far might you consider nominating for next year’s awards?

I left this question until last for a specific reason: Eastercon begins tomorrow. And at Eastercon – and quite likely other conventions this weekend – there will be an art show.

For those of you attending Eastercon, consider, as you walk around the art show, if any of the work there strikes you as worth nominating for next year’s art awards. Indeed, consider keeping this in mind at whatever conventions – or other venues for sharing science fictional artwork – you run across this year.

There’s nothing the least bit wrong with nominating good cover art; but it’s not the only place that good science fictional artwork is being produced.

London Meeting: David Weber interviewed by Pat McMurray

April’s London meeting will feature David Weber (author of the Honor Harrington novels), who will be interviewed by Pat McMurray (2004 GUFF Delegate).

Date: Wednesday 20th April 2011 (Note: This is the THIRD Wednesday of the month.)

Venue: The Upstairs room at the Antelope Tavern. 22, Eaton Terrace, Belgravia, London, SW1W 8EZ. The nearest tube station is Sloane Square (District/Circle) A map of the location is here.

All are welcome! (No entry fee or tickets. Non-members welcome.) The Interview will commence at 7.00 pm, but the room is open from 6.00 (and fans in the downstairs bar from 5). There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

Future London Meetings

25th May 2011 – SARAH PINBOROUGH interviewed by Donna ScottSaturday 4th June 2011 – BSFA/SFF AGM: BSFA Guest TRICIA SULLIVAN
30th June 2011 * – GILLIAN POLACK interviewed by Maureen Kincaid Speller
27th July 2011 – SOPHIA MCDOUGALL interviewed by Roz Kaveney
* Note that this meeting is on the fifth Thursday of the month.

P.S. BSFA events coming up this weekend at Eastercon include the BSFA Awards (Saturday 7:30 pm) and the annual BSFA lecture, “Prolegomena to a Steampunk Catullus: Classics and SF”, given by Gideon Nisbet of the University of Birmingham (Sunday 3 pm).

BSFA Award Deadline(s)

Today is the last day for BSFA members to send in their votes for the BSFA Awards in advance. You have until midnight tonight to email in your votes.

After that, it’s still possible to vote – but only if you will be attending Eastercon, where both BSFA and Eastercon members will be able to submit their votes on Friday (and possibly part of Saturday). Then, that evening, the winners will be announced at a ceremony at the convention!

The shortlists are here. Email ranked votes and BSFA membership number to awards@bsfa.co.uk.

Playlists, Soundtracks, and Science Fiction

The first chapter of Justina Robson’s Natural History is structured around the Don McLean song, “American Pie”. The lyrics help to structure fraught events, both in our world and in that of the dying Isol. The book (about which more discussion  next week) begins, in effect, with music, with a theme song. It’s not a whole soundtrack for the book, but it’s why I noticed a coincidence or a trend – I don’t have enough data to know which.

Our first book of this year’s TC reading project didn’t have one theme song. It had an entire discography, listed out on the final pages of the paperback and a page of the accompanying website. Gwyneth Jones’ Bold as Love is about a rock band, so it’s not surprising that it might come with music. Plenty of books about bands don’t, however. This one recommends hours of previously-existing albums, plumbed for their vibe, their synergies, their influence on the book’s musical interactions. Its concerts are major plot points.

The second book didn’t have a discography listed out as an appendix, but it didn’t need one. Elizabeth Moon’s Speed of Dark is suffused with soundtrack, carefully orchestrated by its main character to match the needs of his life. Lou uses symphonic music to overlay sequences in his life with imposed structure, a device which makes it easier for him to cope with various scenarios, from the gym to the drive home. It need not even be recorded: he has a wealth of classical music stored in his memory for summoning up when he needs it as counterbalance. A mention – name, composer – may be enough to summon up the tunes for some readers as well. In only one instance does Lou recommend to us specific versions of the music he thinks through: in all other cases, we can pick our own symphonies, our own soloists.

I’ve read a couple of other books in the past year or so which came with the songs or albums listed to which the author wrote the book. Carrie Vaughn’s Kitty books do. Linnea Sinclair’s last novel, Rebels and Lovers, does. Lauren Beukes’ Moxyland has an entire purchasable album which was compiled around it. So does her currently Clarke Award-nominated Zoo City.

The only book soundtracks I’m particularly aware of from previous decades are filk. Mercedes Lackey has written and produced a slew of albums to accompany her Valedemar novels. Anne McCaffrey approved an official album in part comprising tunes to lyrics she’d provided in her Pern novels. Suzette Haden Elgin’s Native Tongue came with poignant alternative spacefaring lyrics to known tunes, used as chapter intros.

The CD singles charts may be in commercial freefall, as far as any given song’s success is concerned, but I am certain that, more broadly, the singles market has never been more healthy. Download a song as ringtone. Download a single at a click. In the ‘80s it became feasible to make mix tapes, with the advent of the cassette tape. Now, a book’s soundtrack need not even be prepackaged if the tunes are mainstream enough: they can be individually downloaded and reassembled into the unified album that a playlist had the potential to be on one’s own music playing device.

As evidence goes, this is scanty. These are the works of science fiction and fantasy I can name off of the top of my head which come with soundtracks.

So – the three books so far for the best science fiction novels written by women in the last decade. Will more of this year’s TC reading project feature theme songs or downloadable soundtracks?

Are female authors more likely to include that bit of extra real-world tie-in world-building than male ones are, or is this an accident of what I’ve been reading that I’ve only noticed soundtracks in books which happen to be written by women?

Regardless of gender, is this a trend or a coincidental cluster?

Reminder: Natural History

I will start posting discussion on Justina Robson’s Natural History beginning on Monday, although I do have another related post planned for later this week, a music-related prologue to the discussion. Please do read along, if you are able to. (I know many of us are busy reading awards shortlists right now – myself included.)

The discussion of Natural History is part of the ongoing series of discussions here at Torque Control on the best science fiction novels by women of the last decade.