Welcome to dulltopia and my two favourite angels

Read Mark Bould in ‘Global Dystopias’ by Boston Review

Mark Bould

angelus novusMy essay ‘Dulltopia’ from the ‘Global Dystopias’ issue of Boston Review is now available online – it questions the claims made by Fredric Jameson and Slavoj Zizek about how boring contemporary dystopias are, then imagines these luminaries are right about how boring contemporary dystopias are, and then turns to slow cinema and the examples of Peter B. Hutton’s At Sea (2007) and Mauro Herce’s Dead Slow Ahead (2015), the latter of which I adore.

The essay ends with an allusion to Paul Klee’s Angelus Novus, every Marxist’s favourite angel thanks to Walter Benjamin, but in this context dismisses it in favour of an angel every bit as cool from Albrecht Durer’s Melencolia 1 – she is soooooooo bored and really pissed off and her dog is kinda funny looking.
Melencolia_I_(Durero)

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“This is Not Going to Go the Way You Think”: The Last Jedi Is Subversive AF, and I Am Here for It

Bitter Gertrude

lastjedi John Boyega as Finn, Daisy Ridley as Rey, and Kelly Marie Tran as Rose Tico in The Last Jedi

NOTE: This post is full of spoilers.

“This is not going to go the way you think.” — Luke Skywalker

Star Wars has always had its finger on the pulse of the cultural fear of the moment. In the original trilogy in the 1970s and early 80s, it was The Man– an evil establishment that needed to be purified by a younger generation. In the prequels of the 90s, it was evil corporations secretly colluding with a corrupt government to create endless war.

Now, in early 21st century America, the villain is an unstable young white man who had every privilege in life, yet feels like the world has wronged him. Unbeknownst to his family, he finds and communicates with a faraway mentor who radicalizes him with a horrific, authoritarian ideology…

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BSFA Awards – Stage 2

The BSFA Awards are awarded each year to the best Novel, Short fiction, Non-Fiction and Artwork.

The process for choosing the 2017 award winners is underway! We are currently in the second (shortlisting) stage. To vote in stage 2, visit this link: https://tinyurl.com/BSFA2017shortlisting

Who can shortlist?

 You may vote to shortlist a work if YOU:

AND

  • Send or give your shortlisting votes to the Awards Administrator to arrive by the 31st January of each year. See here for further details.

The last year’s winners were:

Cover art by Sarah Anne Langton

This year’s nomination lists are extensive, see below. Where a work (or an excerpt) is available online, we have provided a link. If you are a publisher or author and wish to make a work or an excerpt available, please contact awards@bsfa.co.uk and we will be happy to add a link. 

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Homometaboly

You may have noticed a few changes to the Vector website. Changes may be ongoing for a while. The old Vector has woven its cocoon, but the new one has not quite emerged.

All the older content has been preserved, but some of it has been tucked away. Here is where you’ll find information about the 2010 special publication Twenty Years, Two Surveys. Here you can find still-mostly-live links list associated with a discussion, in the same year, about the under-representation of women in speculative fiction. Torque Control has become the ‘News’ tab you’re reading now. The old open thread is located here.

Smarter Every Day cocoonAnd speaking of threads: of course, even transitional arrangements can still require serious thought. Here, the long suspension thread is probably to dishearten ants, and the loosely-woven chrysalis is probably to prevent rainwater from pooling. Image credit: Smarter Every Day, still from ‘Nature’s 3D Printer.’ 

New editors incoming

Two new editorial elements have been detected in Vector space. As Vector says goodbye to Anna McFarlane and Glyn Morgan, we are joined by Polina Levontin (who boasts both quantity and magnitude!) and Jo Lindsay Walton (who transmits pathogens!) as the journal’s new editors. Anna will remain editor for #285, with Polina and Jo taking over from #286 in early 2018.

Polina Levontin picPolina Levontin is also an environmental scientist, whose research often explores methods of modelling and analysing  risk, and of synthesising and presenting different forms of knowledge for purposes of supporting decision-making. She has a PhD in Fishing and Fisheries Sciences and Management from Imperial College London, as well as Master’s degrees in Environmental Science, in Algebra and Number Theory, and in Comparative Literature. Polina’s recent SF criticism has focused on the representation of scientists and science in Nigerian speculative fiction.

Jo glassesJo Lindsay Walton has a Master’s in Social and Political Theory from Birkbeck and a PhD in Creative Writing from Northumbria University. His research within SF studies mostly focuses on economics, particularly the representation of money and alternatives to money in contemporary speculative fiction. He also runs the small poetry press Sad Press and is a director of the Sputnik Awards for SFF.

2017 Science Fiction Foundation Masterclass in SF Criticism

Applications are now open for the 2017 Science Fiction Foundation Masterclass in Science Fiction Criticism. The 2017 Masterclass, the Eleventh, will take place from Friday 30 June to Sunday 2 July. We are delighted to have once again secured at the Royal Observatory Greenwich as a venue.

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2016 Science Fiction Foundation Masterclass in Science Fiction Criticism

Tenth Science Fiction Foundation Masterclass in Science Fiction Criticism 2016 will be held from Thursday 23 June to Saturday 25 June 2016.

Places are still available on a first-come-first-served basis. Please note that this event has been timed to coincide with the Science Fiction Research Association bringing its conference to Liverpool on 27-30 June.
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