March BSFA London Meeting: The BSFA Awards Discussion

With the BSFA Awards imminent (Olympus, Eastercon 2012, registration closes at 6 pm TODAY/Tuesday) we have arranged for a panel at the monthly London meeting to discuss this year’s nominations. This takes place on Wednesday 28th March 2012.

Our esteemed panellists this year are Duncan Lawie (aka Hoopoes, reviewer for Strange Horizons and The Zone), and Dave Hutchinson, (aka Hutch, science fiction writer and editor, shortlisted for the 2009 BSFA Best Short Fiction Award for ‘The Push’) and Donna Scott – BSFA Award Administrator. We are hoping for some lively debate so please do come along and join in the discussion.

ALL WELCOME – FREE ENTRY (No entry fee or tickets. Non-members welcome.)
The discussion will commence at 7.00 pm, but the room is open from 6.00 (and fans in the ground floor bar from 5ish).
There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

Location: Cellar Bar, The Melton Mowbray Public House. 18 Holborn, London EC1N 2LE . Map is here. Nearest Tube: Chancery Lane (Central line)

All welcome! (No entry fee or tickets. Non-members welcome.)
Interview will commence at 7pm, but the room is open from 6pm (and fans will very likely be in the ground floor bar from 5pm).
There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

FUTURE EVENTS:
25th April – SHARYN NOVEMBER interviewed by Professor Farah Mendlesohn
23rd May* – CJ LINES interviewed by Tony Keen
27th June – TANITH LEE interviewed by Nadia van der Westerhuizen

* Note that this is a month with five Wednesdays. The meeting will be on the fourth, not the last, Wednesday of the month

P.S. BSFA members voting on the awards in advance of Eastercon – the deadline for submitting your votes is the 2nd of April.

Vector 268

The latest BSFA mailing arrived with the post this morning! I’d been expecting it any day now for the last week or so, after it been sent off to the black box of the publisher. And here it is, Focus (TOC) and Vector both.

This quarter’s Vector is primarily devoted to Diana Wynne Jones, who died in March this year. When I started putting the issue together, I’d hoped she would be with us for years to come, that she would be able to see the issue for herself. Instead, it became a memorial issue to a much-missed author whose influence was formative for many (including me).

Vector 268 contains…

2011 BSFA Awards – Donna Scott
An Excerpt from a Conversation with Diana Wynne Jones – Charlie Butler
Translating Diana Wynne Jones – Gili Bar-Hillel Semo
Diana Wynne Jones in the Context of Children’s Fantasy – Jessica Yates
The Mistress of Magic – Meredith MacArdle
On Screen: Two Filmed Versions of Books by Diana Wynne Jones – Gill Othen
Diana Wynne Jones: A BSFA Discussion – Farah Mendlesohn & Charlie Butler, transcribed by Shana Worthen
Infertility in Science Fiction as a Consequence of Warfare – Victor Grech with Clare Thake-Vassallo & Ivan Callus

Resonances – Stephen Baxter
Kincaid in Short: The Heat Death of the Universe – Paul Kincaid
Foundation Favourites: Forbidden Planet – Andy Sawyer
Now and Then: Invisible Words – Terry Martin

The BSFA Review – edited by Martin Lewis 

My apologies to Meredith, whose first name is missing an ‘h’ in the table of contents.

Vector #268

No, I think it’s more about the way to do it. With Tolkien, as I said in the book, it was “Gosh, you can write a whole three-volume fantasy – this is marvellous, let’s do this thing.” With other influences like C.S. Lewis, the “how to do it” thing that grabbed me was that he was always so completely clear about what was happening. You are never in any doubt who is where, and doing what – and much more complicated things than that.

Diane Wynne Jones

London Meeting: Sarah Pinborough interviewed by Donna Scott

May’s London meeting will feature of Sarah Pinborough (author of The Language of Dying and The Dog-Faced Gods), who will be interviewed by Donna Scott (BSFA Awards Administrator).

Date: Wednesday 25th May 2011

Venue: The Upstairs room at the Antelope Tavern. 22, Eaton Terrace, Belgravia, London, SW1W 8EZ. The nearest tube station is Sloane Square (District/Circle) A map of the location is here.

All are welcome! (No entry fee or tickets. Non-members welcome.) The Interview will commence at 7.00 pm, but the room is open from 6.00 (and fans in the downstairs bar from 5). There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

Future London Meetings

4th June 2011 – BSFA/SFF AGM: BSFA Guest TRICIA SULLIVAN, SFF Guest MIKE ASHLEY
30th June 2011 * – GILLIAN POLACK interviewed by Maureen Kincaid Speller
27th July 2011 SOPHIA MCDOUGALL interviewed by Roz Kaveney
24th August 2011  KIM LAKIN-SMITH interviewed by Paul Skevington

* Note that this meeting is on the fifth Thursday of the month.

Vector #266

3 • Torque Control • editorial by Shana Worthen
4 • A Year in Review: Looking Back at 2010 • essay by Martin Lewis
5 • 2010: Books in Review • essay by Graham Andrews and Lynne Bispham and Mark Connorton and Gary Dalkin and Alan Fraser and Niall Harrison and David Hebblethwaite and Tony Keen and Paul Kincaid and Jonathan McCalmont and Martin McGrath and Anthony Nanson and Martin Potts and Paul Graham Raven and Ian Sales and Jim Steel and Martyn Taylor and Sandra Unnerman and Anne Wilson
15 • 2010: Television in Review • essay by Alison Page
20 • 2010 in Film: Not My Kind of Genre • essay by Jonathan McCalmont
24 • Strip Club: A Fanciful Flight • essay by Terry Martin
26 • The Promises and Pitfalls of a Christian Agenda in Stephen Lawhead’s Pendragon Cycle • essay by Anthony Nanson
30 • Scholars and Soldiers • [Foundation Favourites • 12] • essay by Andy Sawyer
32 • Alpha Centauri • [Resonances • 61] • essay by Stephen Baxter
34 • Kincaid in Short • [Kincaid in Short] • essay by Paul Kincaid
37 • Review: Finch by Jeff VanderMeer • review by Paul Graham Raven
38 • Review: Lightborn by Tricia Sullivan • review by Jonathan McCalmont
39 • Review: Surface Detail by Iain M. Banks • review by Marcus Flavin
40 • Review: The Technician by Neal Asher • review by Stuart Carter
40 • Review: Version 43 by Philip Palmer • review by David Hebblethwaite
41 • Review: How to Live Safely in a Science Fictional Universe by Charles Yu • review by Martin McGrath
41 • Review: Galileo’s Dream by Kim Stanley Robinson • review by Anthony Nanson
42 • Review: Music for Another World by Mark Harding • review by Dave M. Roberts
42 • Review: The Immersion Book of SF by Carmelo Rafala • review by Maureen Kincaid Speller
43 • Review: Zombie: An Anthology of the Undead by Christopher Golden • review by Colin B. Harvey [as by C. B. Harvey]
43 • Review: The Loving Dead by Amelia Beamer • review by Niall Harrison
44 • Review: Feed by Mira Grant • review by Alex Williams
44 • Review: Tomes of the Dead: Anno Mortis by Rebecca Levene • review by Shaun Green
45 • Review: Songs of the Dying Earth by Gardner Dozois and George R. R. Martin • review by L. J. Hurst
46 • Review: The Black Prism by Brent Weeks • review by Donna Scott
46 • Review: The Fallen Blade by Jon Courtenay Grimwood • review by Anne F. Wilson
47 • Review: Animal Alterity: Science Fiction and the Question of the Animal by Sherryl Vint • review by Gwyneth Jones


[Mary] Gentle’s prose is sharp, her powers of invention brilliant, her characters real, especially the greasy, obese Casaubon with his pet rat. They are not necessarily likeable. Casaubon is a Lord, and not on Our Side (there’s a neat scene where he’s confronted with the woman who does his laundry who has to live on far less than the cost of one single garment), and when Valentine re-appears a couple of novels down the line she does a dreadful and unforgivable thing. But, in the best tradition of the malcontents in the Jacobean drama, boy, are they vivid! This was a new thing.

For a time I used the word scholarpunk for this fusion of erudition and bad-ass attitude. Fortunately no-one noticed.

Andy Sawyer

Nowhere was this tiredness more evident than in the lugubriously self-indulgent Iron Man 2. Jon Favreau’s Iron Man (2008) was something of an unexpected hit; its combination of clever casting and pseudo-political posturing caught the public’s imagination while its lighter tone and aspirational Californian setting served as a useful counterpoint to the doom and gloom of Christopher Nolan’s The Dark Knight (2008). However, the second Robert Downey Jr.’s Tony Stark steps on stage in the sequel, it is obvious that something is terribly wrong. The film’s onanistic triumphalism and bare-faced declaration that social ills are best confronted by private sector moral entrepreneurs feels astonishingly ugly and politically insensitive at a time when private sector entrepreneurs are having their companies propped-up at the expense of the poor and the hungry. The decision to cast Mickey Rourke as a shambling Russian baddy is laughably pretentious in a film that ultimately boils down to a bunch of computer-generated robots punching each other in the face for about an hour.

Jonathan McCalmont

I found a Darwin site where a respondent asked “who else thinks Beatrix Potter may have developed her stories, about animals with increasingly human characteristics, from acquaintance with Darwin’s theory?” The idea that Beatrix Potter had to wait for The Origin Of Species before she thought of writing about reprobate foxes, trusting piglets, thieving magpies and insolent rats may seem ridiculous but this internetgeneration query is revealing. Our animal folklore is no longer refreshed by experience. In my own lifetime, here in the UK, the estrangement that began as soon as agriculture was established, has accelerated almost to vanishing point. We see animals as pets; as entertainment products we consume through the screen (where their fate, nowadays, holds a tragic fascination). We see them, perhaps, as an increasingly problematic food source. We no longer ‘meet their gaze’ as independent neighbours. The neo-Darwinists have even been doing their damnedest to break the link that Charles Darwin forged, when he transformed our deep intuition of continuity with the animal world into ‘scientific fact’.

Gwyneth Jones

And was Karel Čapek really writing about newts?

Gwyneth Jones

On the whole, however, Vint does a good job of disentangling “the animal” from the mix and Animal Alterity is an impressive achievement. A study of this kind isn’t meant to offer solutions and there are none (beyond a rather vague promise that post-humanism will blur the line between human and animal). Instead there’s a mass of evidence identifying sf as a resource: a treasury for Animal Studies academics; a rich means of bringing those moral arguments to life —drawn from an overlooked genre that has (always, already) developed sophisticated ways of thinking about looming problems that have only just occurred to the mainstream.

To the general reader, Animal Alterity offers food for thought and a quirky compendium of offbeat and classic titles. Could a “related book” on this topic become widely popular? I don’t know. In my day, sf fans tended to be petrol-headed meat-munchers, their concern for our stewardship of the ecosphere constrained by a passion for beer, mayhem and go-faster starships. Times have changed. The younger generation may feel very differently: I hope so.

Gwyneth Jones

London Meeting: BSFA Award Discussion

With only about a month left until voting closes for the BSFA Awards, it’s time for the annual BSFA Award Discussion at the London Meeting. Our panelists this year year will be Tom Hunter, Clarke Award Director; Martin McGrath, BSFA Focus Editor; and Donna Scott, the BSFA Awards Administrator.

As a reminder, here are the shortlists. I hope many of you will be able to come and join in the discussion there!

Date: Wednesday 23rd March 2011

Venue: The Upstairs room at the Antelope Tavern. 22, Eaton Terrace, Belgravia, London, SW1W 8EZ. The nearest tube station is Sloane Square (District/Circle) A map of the location is here.

All are welcome! (No entry fee or tickets. Non-members welcome.) The Interview will commence at 7.00 pm, but the room is open from 6.00 (and fans in the downstairs bar from 5). There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

Future London Meetings

Wednesday 20th April 2011 ** – DAVID WEBER: Interviewer TBC
Wednesday 25th May 2011 – SARAH PINBOROUGH: Interviewer TBC
Saturday 4th June 2011 – BSFA/SFF AGM
Thursday 30th June 2011 ** – GILLIAN POLACK: Interviewer TBC

Vector 265

Saturday morning’s post brought with it Vector 265, at long last. Not just Vector: the mailing includes a booklet in memory of Rob Holstock, edited by Niall Harrison; the BSFA Awards booklet, with all of the shortlisted short stories; and a ballot for voting on the BSFA awards.

Vector 265 is the last one edited by Niall, and it’s a hefty one, a rich tribute to Stephen Baxter, plus book reviews, edited by Martin Lewis. For those of you not currently BSFA members, here is what you’re missing out on:

Table of Contents
“That Cosmological Feeling: An Interview with Stephen Baxter”
“Stephen Baxter’s Xeelee Cycle: No Coming Home”, Jonathan McCalmont
“The Settee and the Stars: Stephen Baxter and the Dilemma of Scale”, Gary K Wolfe
“An Atomic Theory of Baxter’s Fiction”, Adam Roberts
“Three Colours NASA: Reflections on Stephen Baxter’s ‘NASA’ trilogy”, Simon Bradshaw
“Putting the Past into the Future: The Time’s Tapestry sequence”, Tony Keen
“Foundation’s Favourite: Stone Spring”, Andy Sawyer
“Baxter’s People”, Niall Harrison
“Giant Killer Rodents in Space Armour, With Guns: the other side of Stephen Baxter”, Graham Sleight

“First Impressions”, Martin Lewis
Book reviews edited by Martin Lewis
Orgasmachine by Ian Watson (Newcon Press, 2010) – reviewed by
Justin Robson
Shine, edited by Jetse de Vries (Solaris, 2010) – reviewed by
Anthony Nanson
The Quantum Thief by Hannu Rajaniemi (Gollancz, 2010) –
reviewed by Paul Kincaid
The Dervish House by Ian McDonald (Gollancz, 2010) – reviewed
by Tony Keen

The Restoration Game by Ken MacLeod (Orbit, 2010) – reviewed by
Michael Abbott
The Fuller Memorandum by Charles Stross (Orbit, 2010) –
reviewed by Martin Potts
Escape From Hell by Larry Niven and Jerry Pournelle (Tor, 2009)
– reviewed by Dave M Roberts
The Turing Test by Chris Beckett and The Last Reef by
Gareth L Powell (Elastic Press, 2008) – reviewed by Dave M Roberts
The Holy Machine (Corvus, 2010) and Marcher (Cosmos
Books, 2008) by Chris Beckett – reviewed by Jim Steel
Inside/Outside – Chris Beckett interviewed by Paul Graham Raven
Major Carnage by Gord Zajac (ChiZine Publications, 2010) –
reviewed by Shaun Green
Nexus: Ascension by Robert Boyczuk (ChiZine Pubications, 2010)
– reviewed by Graham Andrews
The Nemesis List by RJ Frith – reviewed by Ben Jeapes
The Noise Within by Ian Whates (Solaris, 2010) – reviewed by
Stuart Carter
Brave Story and The Book Of Heroes by Miyuke Miyabe
(Haikasoru, 2007 and 2009) – reviewed by Cherith Baldry
WE by John Dickinson (David Fickling Books, 2010) – reviewed by
Donna Scott
I Am Number Four by Pittacus Lore (Penguin, 2010) – reviewed by CB Harvey
Monsters Of Men by Patrick Ness (Walker Books, 2010) – reviewed
by Anne F Wilson
The Iron Hunt, Darkness Calls and A Wild Light by
Marjorie M Liu (Orbit, 2008-10) – reviewed by Amanda Rutter
The Poison Throne by Celine Kiernan (Orbit, 2009) – reviewed by
Alan Fraser
Shadow Prowler by Alexey Pehov (Simon & Schuster, 2010) –
reviewed by Sandra Unerman
The Office Of Shadow by Mathew Sturges (Pyr, 2010) – reviewed
by AP Canavan
Lord Of The Changing Winds by Rachel Neumeier (Orbit, 2010) –
reviewed by Lynne Bispham

BSFA Awards Shortlist 2011

Anyone who joined the BSFA recently may end up with the wrong impression as to how frequently mailings occur, inasmuch as we expect the next one to be sent out within the next month-or-so. It’s all still quarterly, however.

Vector welcomes letters of comment, or feedback on the forum.