Fission #1

We are excited to announce the contents of the inaugural issue of Fission, ed. Allen Stroud:

  • ‘The Aminals Marched in Two By Two’ by Syeda Fatima Muhammad
  • ‘A Pall of Moondust’ by Nick Wood
  • ‘Lyonesses’ by So Mayer
  • ‘The Lego Calf’ by Jon Bilbao (trans. from the Spanish)
  • ‘The Witch and the Elderman’ by Peter Haynes
  • ‘The Trip’ by Michael Crouch
  • ‘Etaerio’ by Rosie Oliver
  • ‘The First and Last Safe Place’ by C. John Arthur
  • ‘Here’ by Gene Rowe
  • ‘The Blood Between Us’ by Katherine Franklin
  • ‘Wanderlust’ by Eugen Bacon & E. Don Harp
  • ‘Time Keep’ by Elad Haber
  • ‘Power of Attorney’ by Louis Evans
  • ‘I Love Google Maps / Death to Google Part 1’ by Paul Beacon

So Mayer’s ‘Lyonesses’ will also be translated into Spanish for Celsius.

Fission is an experiment this year, which we plan to turn into an annual event. There will be another submissions window for Fission #2 in late 2021 or early 2022, so watch this space. You may want to follow the BSFA on Twitter, and/or if you’re not already a member, you can join here. For a little more info, see the latest newsletter.

Fission #1

Vector #289

Cover art by Ronnie McGrath

Vector #289 (August 2019) is a special issue on African and Afrodiasporic SF, guest edited by Michelle Louise Clarke. It includes articles by Michelle Louise Clarke, Anwuli Okeke, and Chinelo Onwualu on the state of contemporary SFF across Africa and the African diaspora; Jonathan Hay on clipping.’s Splendor & Misery; Kate Harlin on Afrofuturism and Afro-Pessimism in Black Panther and the short fiction of T.J. Benson; Päivi Väätänen on Nnedi Okorafor’s short fiction; Lidia Kniaź on African SFF cinema by Miguel Llansó and Wanuri Kahiu; Andy Sawyer on AfroSF Vol. 3 ed. Ivor W. Hartmann; Gemma Field on Nnedi Okorafor and ecological crisis, Nick Wood on South African comics; Masimba Musodza on the experience of writing SFF in ChiShona; plus Polina Levontin interviewing Dilman Dila, Louisa Egbunike interviewing Wole Talabi, and Joan Grandjean interviewing Mounir Ayache.

Cover: Ronnie McGrath