This issue of Vector is dedicated, in part, to revisiting the subject of women writers of science fiction. Few female UK-based science fiction authors currently have contracts, but worldwide, there’s a great deal going on, a geographic, cultural, and linguistic diversity which Cheryl Morgan surveys in this issue. I came away from reading it with a massively expanded to-read list, and I hope it inspires you similarly. Tony Keen examines the roles of death and transformation in Justina Robson’s books Natural History (one of the books on last year’s list of the previous decades best science fiction by women) and Living Next Door to the God of Love. In contrast, Niall Harrison examines a very different author, Glasgow-based Julie Bertagna. Her post-apocalyptic trilogy, which begins with Exodus, provides an intriguing comparison with Stephen Baxter’s current series of prehistoric climate change novels which began with Stone Spring.
The second part of Victor Grech’s three-part series on gender in science fiction doesn’t focus on women science fiction authors, but does deal with quite a few of them in the process of discussing the variety of single-gendered world in science fiction. In particular, he examines the in-story reasons, the biological explanations for their existence, and the degrees to which those mechanisms are found in the ecologies of our own world.Shana Worthen
What a welcome sight! The post just arrived, and with it, the latest BSFA mailing. In addition to Vector, there’s an issue of Quantum, the BSFA’s occasional newsletter; and a paper copy of the ballot for the BSFA Awards (also available online).
There’s also a NewCon Press sampler which includes excerpts from The Outcast and the Little One by Andy West and Kim Lakin-Smith’s BSFA best novel-nominated Cyber Circus. Ian Whates assures me that the booklet went to press well before the BSFA Award nominations for best novel were known and announced.
Lest the prompt arrival of the paper copy of the ballot worry anyone, we’re still planning to do a short story booklet of stories nominated for the BSFA award for the best short story of 2011; but the logistics of that take just long enough that it’ll be coming in the mailing after this one.
This issue of Vector is partially a followup to the poll which Niall ran last year, on the best sf novels by women written in the previous decade. It also has Adam Roberts’ reflections on writing music entries for the Science Fiction Encyclopedia, and Andrew M Butler’s review of the three versions of the John Martin: Apocalypse show which recently closed at the Tate Britain. (The review was printed here on Torque Control in late December to make sure it would be read before the show closed!)
Vector 269 is labeled the Spring 2012 issue, which means we seem to have skipped winter entirely, despite what today’s chilly weather seems to imply.
Vector 269 contains…
Women SF Writers: An Endangered Species? – Cheryl Morgan
Death and Transcendence in the “Forged” Novels of Justina Robson – Tony Keen
Telling the World: The Exodus Trilogy by Julie Bertagna – Niall Harrison
Single-Gendered Worlds In Science- Fiction – Better For Whom? – Victor Grech with Clare Thake-Vassallo, and Ivan Callus
On Science Fiction Music – Adam Roberts
John Martin: Apocalypse – A Review – Andrew M Butler
Kincaid in Short – Paul Kincaid
Resonances – Stephen Baxter
Foundation Favourites – Andy Sawyer
Picture This – Terry Martin
The BSFA Review – edited by Martin Lewis
The latest BSFA mailing arrived with the post this morning! I’d been expecting it any day now for the last week or so, after it been sent off to the black box of the publisher. And here it is, Focus (TOC) and Vector both.
This quarter’s Vector is primarily devoted to Diana Wynne Jones, who died in March this year. When I started putting the issue together, I’d hoped she would be with us for years to come, that she would be able to see the issue for herself. Instead, it became a memorial issue to a much-missed author whose influence was formative for many (including me).
Vector 268 contains…
2011 BSFA Awards – Donna Scott
An Excerpt from a Conversation with Diana Wynne Jones – Charlie Butler
Translating Diana Wynne Jones – Gili Bar-Hillel Semo
Diana Wynne Jones in the Context of Children’s Fantasy – Jessica Yates
The Mistress of Magic – Meredith MacArdle
On Screen: Two Filmed Versions of Books by Diana Wynne Jones – Gill Othen
Diana Wynne Jones: A BSFA Discussion – Farah Mendlesohn & Charlie Butler, transcribed by Shana Worthen
Infertility in Science Fiction as a Consequence of Warfare – Victor Grech with Clare Thake-Vassallo & Ivan Callus
Resonances – Stephen Baxter
Kincaid in Short: The Heat Death of the Universe – Paul Kincaid
Foundation Favourites: Forbidden Planet – Andy Sawyer
Now and Then: Invisible Words – Terry Martin
My apologies to Meredith, whose first name is missing an ‘h’ in the table of contents.
No, I think it’s more about the way to do it. With Tolkien, as I said in the book, it was “Gosh, you can write a whole three-volume fantasy – this is marvellous, let’s do this thing.” With other influences like C.S. Lewis, the “how to do it” thing that grabbed me was that he was always so completely clear about what was happening. You are never in any doubt who is where, and doing what – and much more complicated things than that.Diane Wynne Jones