Gender, Democracy, and SF/F Literary Awards

Published in Foundation 149 (winter 2024) edited by Paul March-Russell. Republished with permission.

By Jo Lindsay Walton and Polina Levontin

This article explores cultural and design dimensions of non-governmental voting systems, focusing on science fiction and fantasy (SFF) literary awards voted for by fans, with a focus on the British Science Fiction Awards. The design of such voting systems needs to juggle a range of goals, one of which is fairness with regard to gender — acknowledging that ‘fairness’ is not straightforward to define, particularly given such awards are embedded within broader gender inequalities. Our analysis suggests that men have been more likely than women to vote for works by men, and also more likely to vote in ways that amplify the influence of men’s votes under an Alternative Vote System. We suggest that SFF awards are cultural spaces which lend themselves to experimentation with new democratic forms, and briefly offer potential sources of inspiration. Just as SFF has aspired to be a space to think about the future of technology, gender, the environment, and many other issues, SFF award spaces could be spaces for thinking about the future of democracy. We also offer recommendations to SFF awards designers and communities to address gender bias (emphasising reflective practices over technical solutions), and to continue to explore how aesthetic and cultural values and identities are constructed and negotiated within SFF award spaces, and beyond. 

4 thoughts on “Gender, Democracy, and SF/F Literary Awards

  1. Years ago, when I’ve started reading SFF I didn’t care about the gender of the author and while most of them where male (because I’ve started with older SF, when the genre was much more male-dominated) I enjoyed as much works by Andew Norton or Ursula le Guin. Now, when I’m a bit more self-aware I can say that I often (post factum, after I count SFF works I read) I still prefer whan male-authors wrote, esp. in hard SF, where women are less prevalent than men even now. I still enjoy works of say Linda Nagata or Marie Vibbert, but I guess that probably readers who vote are also more interested in narrower subgenres, where gender ratio is skewed

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