Torque Control

Last day to nominate for best of 2012

As of when I post this, there is slightly less than 24 hours in which to nominate the best UK sf of 2012 for the BSFA Awards.

Works nominated thus far are listed here, but don’t let that limit your suggestions. Equally, don’t assume that a book already nominated will necessarily have enough nominations to make the shortlists without your contribution. Only BSFA members can nominate, but this year’s Eastercon attendees will be able to vote as well on which piece will win each of the four awards from the most-nominated works.

P.S. I note that thus far, only four novels by women have been nominated for best novel of 2012, as opposed to 34 by men. I suspect this is the aftermath of the paucity of contracts held by UK women sf authors a couple of a years ago; but that doesn’t mean the current nominations exhaust works worth considering for nomination.

Vector 271 goes to press!

Vector 271, the last issue of 2012 (technically), is now at the publishers, along with the latest issue of Focus! They’re still on track to be delivered in January.

Speaking of BSFA mailings, we’ll be sending out the BSFA Awards Booklet in late February/early March, regardless of whether or not Vector 272 is ready to go then, to make sure members receive the booklet in plenty of time before Eastercon and the voting deadline.

What will you be voting for? Well, that depends on what’s nominated – and how frequently it’s nominated – in the first place. You have until THIS Friday, January 11th, to submit your nominations for the best novel, short story, artwork, and non-fiction work of 2012.

New Year’s Nominations

I’m a big believer in making new year’s resolutions with very clear end points. I want to know that I’ve achieved them. Move countries. Buy a scale. That kind of thing.

A good candidate for a resolution with a clear goal is award nominations. Submit at least one nomination for at least one science fiction award in 2013.

You have only ten more days to nominate works for the BSFA Awards; its deadline is January 11th. If you haven’t already, and can think of one or more worthy nominees (which you didn’t create yourself) in the categories of novel published in the UK, short story, artwork, or non-fiction, then go forth and nominate.  Don’t assume that just because someone else has

If you’re a member of 2014’s Loncon3 (and many of you are!), then you also have the right to nominate for this year’s Hugo awards. Voting on the winners is restricted to members of this year’s Worldcon, LonestarCon3, but until Sunday, March 10, 2013, 11:59 p.m. EDT, the nominations are open.

Whether or not you make a resolution to do so this year, consider nominating anyways. Relatively often, the exact makeup of the shortlists (especially for the BSFA Award, but also for some of the less-nominated-for categories of the Hugos) can be decided by a single nomination.

Happy 2013!

Updates

Vector

Thanks to the assistance of yet another layout volunteer, Vector 271, the last issue of 2012, will be coming out in January 2013, along with a guest-edited version of Focus. Vector 272 should follow a month or two later, along with the BSFA Award Booklet.

BSFA Awards Nominations

The deadline for the BSFA Awards Nominations is January 13, 2013. BSFA members should nominate early and often!  Works currently nominated are available to peruse here. Don’t take for granted that if your favourite sf book, short story, work of non-fiction, or artwork is on that list that it will receive enough nominations to make the shortlists. Equally, if a work worthy of nomination isn’t on that list, consider it your personal responsibility to nominate it so that it is.

Divine Endurance: Flowerdust Edition

Gwyneth Jones has revised her first sf novel, Divine Endurance, collating it with its companion novel Flowerdust. Divine Endurance was the first novel published under her own name, in 1984. The edited pair are available and, more specifically, available for free today on Amazon.co.uk!

Elusive Vector

There are still Vectors forthcoming!  When, I am not currently certain, as our third layout volunteer has succumbed to a bad case of Life, with the current issue mostly done.

A large part of the complication is that the role currently includes image-wrangling, which is not what our layout volunteers had thought they were volunteering for. (And quite rightly, what with image-wrangling not being layout.)

Still, Martin Lewis, reviews editor, and I are continuing to work on content for future issues, so if all goes well, there may be a cluster of magazines winging their way to mailboxes soon. But I won’t count our publications before they’re printed at this point. Not even Focus, which is looking on target to go out with the first mailing of 2013, with a guest editor.

2013 London BSFA meeting schedule

We’ve now got the details for the first six months of the 2013 programme for the BSFA London meetings, and it looks really strong to our eyes:

23rd January 2013* – Dave Hutchinson, interviewed by Ian Whates
27th February 2013 – Elizabeth Hand, interviewed by Farah Mendlesohn
20th March 2013** – BSFA Awards discussion
24th April 2013 – Lavie Tidhar – interviewer TBC
22nd May 2013* – Aliette de Bodard – interviewer TBC
26th June 2013 – Catherynne M. Valente – interviewer TBC

* Note that this is a month with five Wednesdays. The meeting will be on the fourth, not the last, Wednesday of the month.
** Note that due to the proximity of Easter to the fourth Wednesday of the month, this will be held on the third Wednesday.

November BSFA London Meeting: Paul Cornell interviewed by Roz Kaveney

Image
Author photo by Rob Monk, copyright SFX Magazine, 2012

Location: The Cellar Bar, The Argyle Public House, 1 Greville Street (off Leather Lane), London EC1N 8PQ

On Wednesday 28th November 2012, Paul Cornell (novelist, and comics and TV writer) will be interviewed by Roz Kaveney (critic and author), mostly about his new novel, London Calling.

ALL WELCOME – FREE ENTRY (Non-members welcome)

The interview will start at 7 pm. We have the room from 6 pm (and if early, fans are in the ground floor bar from 5ish).

There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

Map is here. Nearest Tube: Chancery Lane (Central Line).

FUTURE EVENTS:
(There is no BSFA Meeting in December).
23rd January 2013* – Dave Hutchinson, interviewed by Ian Whates
27th February 2013 – Elizabeth Hand, interviewed by Farah Mendlesohn
20th March 2013** – BSFA Awards discussion

* Note that this is a month with five Wednesdays. The meeting will be on the fourth, not the last, Wednesday of the month.
** Note that due to the proximity of Easter to the fourth Wednesday of the month, this will be held on the third Wednesday.

October BSFA London Meeting: Nina Allan interviewed by Niall Harrison

Title: October BSFA Meeting: Nina Allan interviewed by Niall Harrison
Location: The Cellar Bar, The Argyle Public House, 1 Greville Street (off Leather Lane), London EC1N 8PQ
Description: On Wednesday 24th October 2012,** Nina Allan (author of A Thread of Truth and The Silver Wind) will be interviewed by Niall Harrison (editor-in-chief of Strange Horizons).

ALL WELCOME – FREE ENTRY (Non-members welcome)

The interview will start at 7 pm. We have the room from 6pm (and if early, fans are in the ground floor bar from 5ish).

There will be a raffle (£1 for five tickets), with a selection of sf novels as prizes.

Map is here. Nearest Tube: Chancery Lane (Central Line).

Please note that this is now the new permanent venue of BSFA London Meetings.

FUTURE EVENTS:
28th NovemberPaul Cornell, interviewed by Roz Kaveney
(There is no BSFA Meeting in December).
23rd January 2013** – TBC

** Note that this is a month with five Wednesdays. The meeting will be on the fourth, not the last, Wednesday of the month.
Start Time: 19:00
Date: 2012-10-24
End Time: 21:00

Tentacular Grapplings

This post is the first in a series here on Torque Control from Ian Whates.

***

The world of awards seems to be an ever-expanding one, with more and more accolades being presented in every field going. Genre fiction is no exception. In this country alone we have the BSFA Awards, the Clarke, the Gemmells, the British Fantasy Awards, the James White Award, and that’s not even considering global awards such as the Hugos, Nebulas, World Fantasy and Stoker awards, or those voted on by the readers of various magazines… So is there really room for another set of awards?

The Kitschies are the new kids on the block, and their organisers would argue that there certainly is. 2011’s winners were announced at a ceremony during the SFX weekender in February 2012, and, with an expanding set of categories and increasing prize money, the Kitschies are certainly hard to ignore. We asked the organisers, Anne Perry and Jared Shurin, to tell us a bit about the awards and to explain why they’re so different. In particular, they’ve focussed on the Golden Tentacle, awarded for best debut novel.

As a follow-up to this, we’ll be taking a look at each of the novels shortlisted for the Golden Tentacle over the next few months, to get an idea of what makes the Kitschies tick.

“The Kitschies’ shortlists are selected based on strict criteria: progressive, intelligent and entertaining books with elements of the speculative or fantastic. Within those terms, we try to err on the side of inclusivity, and allow each year’s judges the freedom to bring in their own perspective.

Although debut novels are judged by the same criteria (progressive, intelligent, entertaining), they’re a separate category for several reasons. The first is for the authors. There’s something warm and cuddly about discovery. We get to encourage new talent, authors who may not already have an existing audience or support structure. Bringing new books to readers’ attention: that’s the best thing that any award can do.

The second is for the books. This oversimplifies things terribly, but there are different expectations of a debut novel. These are new voices; writers who are challenging their categories in order to wedge their way onto crowded shelves. New authors have to work even harder to get readers’ attention – they need to be brasher, louder, more aggressive. The resulting books are often more raw: shoutier, less polished but, in many cases, also more daring.

The third is for the judges. This is the fun category. Everything is new; the expectations are different. With a debut novel, there are no middle volumes in long series; less predisposition, hype and (hopefully) scandal. In our oversaturated marketing environment, reading a debut is as close as we can get to judging in a vacuum. There’s just the text itself, and whatever surprises it may hold.

The 2011 finalists were an exceptionally diverse group containing (if you’ll pardon the labels): space opera, paranormal romance, epic fantasy, YA and splatterpunk horror. Of course, none of them fit neatly within the boundaries, and if there’s one thing that unites all five titles, it is the fact that they aggressively challenge readers’ assumptions. Several of these titles have gone on to be nominated for – and win – other awards, while others have crept along more quietly.

The Kitschies’ mission is not to dictate taste, but to encourage discussion. For that very reason (and others), we’re grateful to the BSFA for setting up this series. Whether or not you agree with our panel’s selections (and we expect that not everyone will), we hope you enjoy the conversation.” – Anne and Jared.