Torque Control

Review of 2007

And in other news, this should have started arriving over the weekend:

Torque Control — editorial
Vector Reviewers’ Poll — the best books of 2007, compiled by Kari Sperring
Threes and 2007s — the films of 2007, by Colin Odell and Mitch LeBlanc
Transmission, Interrupted — the TV of 2007 (and the start of a regular column) by Saxon Bullock
Logic and Loving Books — Laurie J Marks and Kelly Link, in conversation at last year’s Wiscon
First Impressions — book reviews edited by Paul N. Billinger
Foundation Favourites — a column by Andy Sawyer
Resonances — a column by Stephen Baxter
The New X — a column by Graham Sleight

As you’ll see, this is an issue that marks a few changes. For one thing, it’s bigger than usual (48 pages, up from 36); for another, we’ve inherited a few features that aren’t making the jump to Matrix’s spiffy new online home; and finally it’s a transitional issue, as Kari Sperring starts to take over from Paul Billinger as reviews editor, compiling this year’s reviewers’ poll. Many thanks to Paul for all his work over the years, and welcome to Kari!

As ever, comments on all aspects of the issue are welcomed (as are confirmations that it has arrived! As part of my preparation for the “It Was Ten Years Ago Today” panel at Eastercon, I read through the relevant back-issues of Ansible, and was cheered, or something, to see an announcement that some parts of the January mailing had gone missing. Some things stay the same, it seems).

Orbital: Day Four

Programme:

  • It Was Ten Years Ago Today. My last panel of the convention, and one of five panels looking back at different eras of British fandom and sf to mark the 50th anniversary of the BSFA (the others being It Was Twenty Years Ago Today, etc). I didn’t make it to any of the others — though I wish I had, so reports would be welcomed — but I thought this went pretty well, managing to cover some of the big events of the 90s (i.e. Interthingy) as well as actually talking about the sf of the period a bit. The other panellists were James Bacon, Claire Brialey, Pat Rigby-McMurray, and Ian Sorensen.
  • You’re Reading It Wrong. The description for this said, “Do you need to know genre to read genre? Do you need to know an author’s previous work to critically assess their latest work? Is it even possible to “mis-read” a book? To whose opinion (authors, critics, fans) shoul we give the most weight?” All interesting questions, but I felt the panel talked around them rather than talked about them, more than I would have liked, anyway.
  • Darker Than Potter. Another YA panel, and aside from some of the panellists occasionally ignoring the moderator’s question and choosing to answer an entirely different question, I thought this went really well — lots of insight into how the YA market has changed over the last 15 or so years, particularly from Neil Gaiman.
  • Closing Ceremony. This was at times a bit shambolic (particularly when announcing some of the art and cyberdrome awards, to the point of being disrespectful to the winners), at times charming (particularly with regards to the big pink pig, and Judith Proctor’s evident glow at how the con has gone). So everything you expect from a closing ceremony, really. Eddie Cochrane picked up the Doc Weir award.
  • Decoding the SF of 1958. Another BSFA-related panel, in that the jumping off point was to discuss the shortlist for the BSFA’s special 1958 award. Although they never got into the specific works in as much detail as I would like (and although it was moved at the last minute from a room that admittedly may have been larger than required to one that was smaller than required) this was still a very interesting panel, with a good spread of opinions and lots of audience input. May also be transcribed for Vector; the panel was Graham Sleight, Claire Brialey, Tanith Lee and Peter Harrow.

Purchases. Oh dear.

Interzone: the first anthology, edited by John Clute, Colin Greenland and David Pringle
Interzone: the second anthology, edited by John Clute, David Pringle, and Simon Ounsley
Pasquale’s Angel by Paul J McAuley
Red Dust by Paul J McAuley
Synners by Pat Cadigan
The Star Fraction by Ken MacLeod
The Stone Canal by Ken MacLeod
Let’s Put the Future Behind Us by Jack Womack
Babylon Babies by Maurice G Dantec
Was by Geoff Ryman
The Humanoids by Jack Williamson
The Deep by John Crowley
Roderick by John Sladek
The Shores of Light by Edmund Wilson
Classics and Commercials by Edmund Wilson

In my defence, (1) the last five came from Graham, with whom Nic and I stayed for the duration of the con, and who was having a book clear-out; (2) several of them are upgrades-to-hardback rather than additions to to-be-read; (3) I got six for £10; and (4) none of the others cost me more than £1.50. But still. I suppose this is what Mondays in the dealer’s room are for. (Oh, and I picked up several back-issues of Foundation as well.)

Notes:

  • I saw badge number 1501 today, although I gather that due to a technical hitch they didn’t actually use every single number, and that the final warm body count was something like 1300. Which is still double last year.
  • I discovered today that I hadn’t really ventured into the labyrinthine corridors of the Radisson. I thought I had, but no. It is more confusing than I could possibly have imagined. There are occasional internal windows, and you think, “how on earth have I ended up looking out over that?”
  • Most incongruous recommendation of the weekend: Tanith Lee recommending Neal Asher “if you like 50s sf”. Well, yes, in some ways, I suppose…
  • I really hate it when conventions end, particularly ones like this that felt so full and busy all weekend. Thanks (and congratulations) to all involved for a job very well done indeed.

And … collapse.

Orbital: Day Three

Yet more panels:

  • Politics in YA SF. With China Mieville, Cory Doctorow, Amanda Hemingway, Ruth O’Reilly, and Martin McGrath moderating. One of the best panels I’ve been to — lots of discussion and debate, and they touched on a lot of interested points, such as whether or not growing up is an inherently political state, if it is then in what way, and to what extent YA fiction tends to avoid structuralist political critique in favour of individualistic political critique (and to what extent that’s a problem). This is another one I hope to include in Vector at some point.
  • Neil Gaiman’s GoH spot. Not really my thing, I have to admit. Two readings, one of which (“Orange”, from The Starry Rift) worked pretty well, the other of which (part of the first chapter of The Graveyard Book) worked less well, a story about Neil Gaiman’s Eastercon Experiences which had the feel of being told many times before, and a question and answer section in which someone would ask about an upcoming project and Gaiman would answer without giving any indication as to what said project actually was (which meant I had no idea what he was talking about in response to half such questions).
  • Arthur C Clarke Retrospective. Graham Sleight moderating, Edward James, Martin McGrath, Ian McDonald and a man whose name I have temporarily forgotten but who was Clarke’s secretary for a couple of years in the eighties. Good discussion of Clarke’s work and influence. Made me want to go to the dealer’s room and buy all the Clarke I don’t have, although I resisted the urge.
  • BSFA Awards results discussion. Unfortunately (but understandably) focused on the novels, in the order in which they were eliminated in the STV ballot — Chabon, Reynolds, MacLeod, Talbot, Morgan, McDonald. I was surprised/impressed that Chabon and MacLeod were in the bottom half and Talbot/Morgan was in the bottom half; I think I also disagreed with everything the panel (Chris Hill, Mattia Valente, Liz Batty and, er, someone else whose name I’ve temporarily forgotten) said about most of the books, but there you go.
  • Everyone’s a Critic. The “online reviews” panel, with Coln Harvey moderating, and me, Paul Raven, Andrew Ducker and Tony Lee as panellists, although it very quickly evolved int a whole-room discussion. I’m not sure how much new ground we covered, but it was a fun discussion.

Purchases:

F&SF, March
Asimov’s, April/May
Illyria by Elizabeth Hand
Hereafter and After by Richard Parks
A bacon sandwich

As you may have guessed, I don’t have any fiction magazine subscriptions at the moment, although I hope to start renewing around July/August, so I’ve been picking up issues on the strength of what I’ve heard about individual stories. The bacon sandwich was served late night in the atrium — how did I miss these on Friday and Saturday?

Notes:

  • Mitch Benn, as they say, rocked the hizzay. I think my favourite bit was probably Burt Chewbaccarach.
  • I didn’t go to the panel for obvious reasons, but my spies tell me the Not the Clarke panellists ended up split 3-2 in favour of The H-Bomb Girl over The Execution Channel (but The Execution Channel people could all live with The H-Bomb Girl and two of The H-Bomb Girl people couldn’t live with The Execution Channel winning. The were also unanimous in their disapproval of The Red Men. Elimination order was The Red Men < The Raw Shark Texts < Black Man < The Carhullan Army < the last two.

EDIT: Also, it’s SNOWING!

Orbital: Day Two

Panels:

  • Mythology in Fantasy. I have never seen a 10am panel as well-attended as this one. The power of Gaiman, I suppose. Good discussion of how and why writers use pre-existing mythology in their fantasy, though; the other panellists were Maura McHugh, Nic Clarke, Sarah Singleton and Liz Williams.
  • China Mieville GoH talk. Probably the programme item of the convention so far: a vigorous defence of intelligent, in-depth reading, and an exploration of why some people get so annoyed by the same, to the point of saying “it’s only a story”. I recorded it, so if the transcript coms out ok hopefully it will be appearing in a Vector near you relatively soon.
  • Fantastic London. More Gaiman, along with Geoff Ryman and Sci-Fi London chair Louis Savy, all modeated by Graham Sleight. Much talk of the palimpsest effect of London, and stories of how even when you make something up about London it turns out to be true.
  • Right to Reply. This was my panel of the day; moderated by Edward James, and the other panellists Christopher Priest, Patrick Nielsen Hayden and Adam Roberts, a discussion of how and whether (and indeed why) authors should respond to reviews. Much livelier (and funnier) discussion than I was anticipating from a 9pm panel about reviewing.

Purchases:

Celebration, edited by Ian Whates
Gateways to Forever by Mike Ashley
Interzone 215

Notes:

  • It’s confirmed: the 2010 Eastercon will be back at the Radisson, with Guests of Honour Alastair Reynolds, Liz Williams, Mike Carey, and Fran and John Dowd.
  • The Gollancz table in the dealer’s room has copies of some of the shiny new fantasy promotion they’re doing:

    Not pictured are Lud-in-the-Mist, The Dragon Waiting, and one other I can’t remember. They’ll be out in late April, apparently.

Liveblogging the BSFA Awards

… and here we are. What will win? Brasyl seemed the front-runner, but talking to various people it seems there may have been a late surge for The Execution Channel. Not long now, though.

EDIT 1: We start with a round of applause for Arthur C Clarke.

EDIT 2: Greg Pickersgill is talking about the BSFA 50th anniversary, saying that it’s “strongly arguable that without the influence of the BSFA the science fiction community as we know it today would likely exist in a much less useful form or not at all” (slight paraphrase). Now he’s announing a life membership for Peter Mabey as the longest-serving BSFA member still paying annual dues. Apparently he’s in the bar.

EDIT 3: Flick is demonstrating this year’s award — origami rockets!

EDIT 4: The first award is the 1958 Award. Rog Peyton points out that only one of the books (Non-Stop) was actually published in the UK in 1958. China Mieville announces the winner … Non-Stop! Jo Fletcher accepts on Aldiss’ behalf.

EDIT 5: Next up, Best Artwork. This one’s presented by Charles Stross and goes to “Cracked World”, the cover of disLocations. The artist says it’s the first award he’s ever won

EDIT 6: Tanith Lee announces Best Short Fiction, which goes to … Ken MacLeod for “Lighting Out”, in disLocations. Ian Whates accepts, and thanks everyone on MacLeod’s behalf.

EDIT 7: And finally, Best Novel, presented by Neil Gaiman. The winner is … Brasyl, of course. Ian McDonald thanks all and sundry, and says he is overjoyed.

Orbital: Day One

Panels:

  • Reassessing Heinlein. You know something’s gone a bit pear-shaped when the panel starts debating, “which is morally superior: Starship Troopers or Ender’s Game?”
  • With Friends Like These, aka the “is fandom too aggresively hegemonising” panel. I was moderating, and John Jarrold, Christopher Priest, Caroline Mullan and Chris Garcia were the panellists. I think it went pretty well: Caroline Mullan talked about the nature of literary conversations, Chris Garcia talked about differences he saw in the US market, Christopher Priest talked about pressures on writers, and John Jarrold utterly failed to rise to the bait to re-iterate his objections to this year’s Clarke shortlist, and instead made useful comments about how the UK market worked. So it was all very civil, and we agreed (I think) that it would be nice if Jeanette Winterson et al were generous (per Le Guin) about their sources, but that we should recognise they’re in their own conversation.
  • When it Changed. Five women writers discuss their experiences. Lots of interesting ground covered, and certainly a better panel than last year’s “is SF publishing overly masculine?” effort, but I did sometimes feel the panellists didn’t delve as deeply into some of the issues they raised as they might have done. (Oh, and yes, Jaine Fenn was on the panel, and yes, she talked a bit about the marketing of her book.)
  • The UK Short Fiction Market. Another panel that I thought might be a bit controversial but wasn’t; I wasn’t moderating this time, but I was on it, with Jetse de Vries, Colin Harvey, Gary Couzens, and John Meaney (who, while entertaining, did tend to run away with the discussion a bit at times). There was one conversation about the technical/economic aspects of the market — where we agreed that markets will probably Find A Way, even if we can’t quite see what it is yet — and another about the creative aspects of the market — where we agreed, to my surprise, that British short fiction is in something of a creative slump, relative to say fifteen years ago. New writers aren’t coming in through short fiction, and short fiction is in no way setting the agenda. But having more or less agreed on this, we didn’t really have anywhere to take the conversation.

Book haul:

What It Is We Do When We Read Science Fiction by Paul Kincaid
The Reef by Mark Charan Newton
The Coyote Kings o the Space Age Bachelor Pad by Minister Faust
A Tour Guide in Utopia by Lucy Sussex
The Girl in the Glass by Jeffrey Ford
The Patron Saint of Plagues by Barth Anderson

Notes:

  • I would have bought a copy of Celebration, the BSFA 50th anthology, but they ran out of hardback copies at the launch party before I got to the front of the queue. So an early trip to the dealer’s room is in order today.
  • The hotel is labyrinthine! And there’s no second floor, which is confusing. But I do like the atrium area.
  • I saw someone wandering around with badge number 1243. This is a big Eastercon.
  • Went out for a Friday Curry with a large contingent of third row and hangers-on, which was thoroughly pleasant, except for the walk from the hotel, which was bloody cold.
  • Geoff Ryman is still taller than me, the bastard.
  • The Independent’s view: “Orbital 2008, Britain’s 59th annual National Science Fiction Convention, which started yesterday, is dominated by the death of Clarke last week. And that has meant a hastily re-arranged programme to celebrate the legendary figure’s achievements with a series of talks and lectures. So, there is no place in this year’s programme for Klingon language seminars…” and then they talk about the bondage workshop and the slash panels.

Guess the Source

Science Fiction Mavens Offer Far Out Homeland Security Advice

[…]

Among the group’s approximately 24 members is Larry Niven, the bestselling and award-winning author of such books as “Ringworld” and “Lucifer’s Hammer,” which he co-wrote with SIGMA member Jerry Pournelle.

Niven said a good way to help hospitals stem financial losses is to spread rumors in Spanish within the Latino community that emergency rooms are killing patients in order to harvest their organs for transplants.

“The problem [of hospitals going broke] is hugely exaggerated by illegal aliens who aren’t going to pay for anything anyway,” Niven said.

“Do you know how politically incorrect you are?” Pournelle asked.

“I know it may not be possible to use this solution, but it does work,” Niven replied.

Terrifyingly, it’s not the Onion.

Hugo Award Nominations

They’re out:

Best Novel
The Yiddish Policeman’s Union by Michael Chabon (HarperCollins, Fourth Estate)
Brasyl by Ian McDonald (Gollancz; Pyr)
Rollback by Robert J. Sawyer (Tor; Analog Oct. 2006-Jan/Feb. 2007)
The Last Colony by John Scalzi (Tor)
Halting State by Charles Stross (Ace; Orbit)

Not Robert Sawyer. That’s all I ask. How many consecutive Best Novel nominations has Charles Stross now had?

Best Novella
“Fountains of Age” by Nancy Kress (Asimov’s July 2007)
“Recovering Apollo 8” by Kristine Kathryn Rusch (Asimov’s Feb. 2007)
“Stars Seen Through Stone” by Lucius Shepard (F&SF July 2007)
“All Seated on the Ground” by Connie Willis (Asimov’s Dec. 2007; Subterranean Press)
“Memorare” by Gene Wolfe (F&SF April 2007)

Connie Willis Always Wins, but Lucius Shepard probably should.

Best Novelette
“The Cambist and Lord Iron: a Fairytale of Economics” by Daniel Abraham (Logorrhea ed. by John Klima, Bantam)
“The Merchant and the Alchemist’s Gate” by Ted Chiang (F&SF Sept. 2007)
“Dark Integers” by Greg Egan (Asimov’s Oct./Nov. 2007)
“Glory” by Greg Egan (The New Space Opera, ed. by Gardner Dozois and Jonathan Strahan, HarperCollins/Eos)
“Finisterra” by David Moles (F&SF Dec. 2007)

Strong category! I’m still rooting for the Chiang, but “Finisterra” is smashing.

Best Short Story
“Last Contact” by Stephen Baxter (The Solaris Book of New Science Fiction, ed. by George Mann, Solaris Books)
“Tideline” by Elizabeth Bear (Asimov’s June 2007)
“Who’s Afraid of Wolf 359?” by Ken MacLeod (The New Space Opera, ed. by Gardner Dozois and Jonathan Strahan, HarperCollins/Eos)
“Distant Replay” by Mike Resnick (Asimov’s May-June 2007)
“A Small Room in Koboldtown” by Michael Swanwick (Asimov’s April/May 2007; The Dog Said Bow-Wow,Tachyon Publications)

Hmm. Not so strong. The New Space Opera has done well, though, hasn’t it?

Best Related Book
The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman (Kent State University Press)
Breakfast in the Ruins: Science Fiction in the Last Millennium by Barry Malzberg (Baen)
Emshwiller: Infinity x Two by Luis Ortiz, intro. by Carol Emshwiller, fwd. by Alex Eisenstien (Nonstop)
Brave New Words: the Oxford Dictionary of Science Fiction by Jeff Prucher (Oxford University Press)
The Arrival by Shaun Tan (Arthur A. Levine/Scholastic)

An interesting mix of stuff — how you decide between The Arrival and Breakfast in the Ruins I don’t know, but then that’s a perennial problem of the category.

Best Dramatic Presentation, Long Form
Enchanted, Written by Bill Kelly, Directed by Kevin Lima (Walt Disney Pictures)
The Golden Compass, Written by Chris Weitz, Based on the novel by Philip Pullman, Directed by Chris Weitz (New Line Cinema)
Heroes, Season 1, Created by Tim Kring (NBC Universal Television and Tailwind Productions Written by Tim Kring, Jeff Loeb, Bryan Fuller, Michael Green, Natalie Chaidez, Jesse Alexander, Adam Armus, Aron Eli Coleite, Joe Pokaski, Christopher Zatta, Chuck Kim, Directed by David Semel, Allan Arkush, Greg Beeman, Ernest R. Dickerson, Paul Shapiro, Donna Deitch, Paul A. Edwards, John Badham, Terrence O’Hara, Jeannot Szwarc, Roxann Dawson, Kevin Bray, Adam Kane
Harry Potter and the Order of the Phoenix, Written by Michael Goldenberg, Based on the novel by J.K. Rowling, Directed by David Yates (Warner Bros. Pictures)
Stardust, Written by Jane Goldman & Matthew Vaughn, Based on the novel by Neil Gaiman, Directed by Matthew Vaughn (Paramount Pictures)

Five Four children’s fantasy films and Heroes. I wouldn’t like to predict the winner.

Best Dramatic Presentation, Short Form
Battlestar Galactica “Razor” written by Michael Taylor, directed by Félix Enríquez Alcalá and Wayne Rose (Sci Fi Channel) (televised version, not DVD)
Doctor Who “Blink” written by Stephen Moffat, directed by Hettie Macdonald (BBC)
Doctor Who “Human Nature” / “Family of Blood” written by Paul Cornell, directed by Charles Palmer (BBC)
Star Trek New Voyages “World Enough and Time” written by Michael Reaves & Marc Scott Zicree, directed by Marc Scott Zicree (Cawley Entertainment Co. and The Magic Time Co.)
Torchwood “Captain Jack Harkness” written by Catherine Tregenna, directed by Ashley Way (BBC Wales)

I hope hope hope that “Human Nature” gets it. (Though “Blink” is also good.) If Torchwood gets it, I may cry.

Best Professional Editor, Short Form
Ellen Datlow (The Year’s Best Fantasy and Horror (St. Martin’s), Coyote Road (Viking), Inferno (Tor))
Stanley Schmidt (Analog)
Jonathan Strahan (The New Space Opera (Eos/HarperCollins), The Best Science Fiction and Fantasy of the Year, Volume 1 (Night Shade), Eclipse One (NightShade)
Gordon Van Gelder (The Magazine of Fantasy and Science Fiction)
Sheila Williams (Asimov’s Science Fiction)

Hey, where’s Dozois? Interesting that he didn’t make it when his co-editor on NSO did.

Best Professional Editor, Long Form
Lou Anders (Pyr)
Ginjer Buchanan (Ace/Roc)
David G. Hartwell (Senior Editor, Tor/Forge)
Beth Meacham (Tor)
Patrick Nielsen Hayden (Tor)

A shame not to see anyone from Gollancz there, but I suspect that will be the way of things until the next British Worldcon.

Best Professional Artist
Bob Eggleton (Covers: To Outlive Eternity and Other Stories (Baen), Ivory (Pyr), & The Taint and Other Stories (Subterranean))
Phil Foglio (Covers: Robert Asprin’s Myth Adventures, Vol. 2 (Meisha Merlin), What’s New (Dragon Magazine Aug. 2007, Girl Genius Vol. 6-Agatha Heterodyne & the Golden Trilobite (Airship Entertainment))
John Harris (Covers: Spindrift (Ace), Horizons (Tor), The Last Colony (Tor))
Stephan Martiniere (Covers: Brasyl (Pyr), Mainspring (Tor), Dragons of Babel (Tor))
John Picacio (Covers: Fast Forward 2 (Pyr), Time’s Child (HarperCollins/Eos), A Thousand Deaths (Golden Gryphon))
Shaun Tan

I’m not really familiar enough with all the artists to comment properly, but on the strength of The Arrival I’d be happy to see Tan win.

Best Semiprozine
Ansible edited by David Langford
Helix edited by William Sanders and Lawrence Watt-Evans
Interzone edited by Andy Cox
Locus edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
The New York Review of Science Fiction, edited by Kathryn Cramer, Kristine Dikeman, David Hartwell & Kevin J. Maroney

I’d object to the presence of Helix, but it’s not going to win so it would be a bit churlish of me.

Best Fanzine
Argentus edited by Steven H Silver
Challenger edited by Guy Lillian III
Drink Tank edited by Chris Garcia
File 770 edited by Mike Glyer
PLOKTA edited by Alison Scott, Steve Davies, & Mike Scott

As ever, I’m disappointed when Banana Wings doesn’t make it.

Best Fan Writer
Chris Garcia
David Langford
Cheryl Morgan
John Scalzi
Steven H Silver

Can Scalzi get that extra vote this year? (And has anyone been nominated for novel and fanwriter in the same year before?)

Best Fan Artist
Brad Foster
Teddy Harvia
Sue Mason
Steve Stiles
Taral Wayne

Not my area of expertise.

John W. Campbell Award for Best New Science Fiction Writer
An award for the best new writer whose first work of science fiction or fantasy appeared during 2006 or 2007 in a professional publication. Sponsored by Dell Magazines.

Joe Abercrombie (2nd year of eligibility)
Jon Armstrong (1st year of eligibility)
David Anthony Durham (1st year of eligibility)
David Louis Edelman (2nd year of eligibility)
Mary Robinette Kowal (2nd year of eligibility)
Scott Lynch (2nd year of eligibility)

Presumably Lynch in a walk; I haven’t read enough to say who I think it should be.

Swiftlinks