Torque Control

2016 Science Fiction Foundation Masterclass in Science Fiction Criticism

Tenth Science Fiction Foundation Masterclass in Science Fiction Criticism 2016 will be held from Thursday 23 June to Saturday 25 June 2016.

Places are still available on a first-come-first-served basis. Please note that this event has been timed to coincide with the Science Fiction Research Association bringing its conference to Liverpool on 27-30 June.
Continue reading “2016 Science Fiction Foundation Masterclass in Science Fiction Criticism”

Vector #279

3 • Torque Control (Vector 279) • [Torque Control] • essay by Anna McFarlane and Glyn Morgan
4 • The BSFA Review: Best of 2014 • essay by Graham Andrews and Stuart Carter and Gary S. Dalkin and David Hebblethwaite and L. J. Hurst and Tony Jones and Paul Kincaid and Anthony Nanson and Ian Sales and Andy Sawyer and Aishwarya Subramanian and Sandra Unerman [as by Graham Andrews and Stuart Carter and Gary Dalkin and David Hebblethwaite and L. J. Hurst and Toby Jones and Paul Kincaid and Anthony Nanson and Ian Sales and Andy Sawyer and Aishwarya Subramanian and Sandra Unerman]
14 • Best of 2014 in SF Television • essay by Molly Cobb
18 • Best of 2014 in SF Audio • essay by Tony Jones
22 • Best of 2014 in Young Adult SF • essay by Ashley Armstrong
24 • Made of Win: Ann Leckie • interview of Ann Leckie • interview by Tom Hunter
28 • 2014 in Science Fiction Comics • [Sequentials] • essay by Laura Sneddon
31 • Helen O'Loy by Lester del Rey • [Kincaid in Short] • essay by Paul Kincaid
34 • A Message from Mars by Lester Lurgan and Richard Ganthony • [Foundation Favourites] • essay by Andy Sawyer
36 • Extraterrestrial Liberty • [Resonances] • essay by Stephen Baxter
38 • The BSFA Review Poll 2014 • essay by Martin Lewis [as by Martin Petto]
40 •   Review: The Race by Nina Allan • review by Kerry Dodd
41 •   Review: Cataveiro by E. J. Swift • review by Maureen Kincaid Speller
42 •   Review: Sibilant Fricative: Essays and Reviews by Adam Roberts • review by Jonathan McCalmont
44 •   Review: Bête by Adam Roberts • review by Paul Kincaid
45 •   Review: Ancillary Sword by Ann Leckie • review by Anne F. Wilson
45 •   Review: Europe in Autumn by Dave Hutchinson • review by Ian Sales
46 •   Review: Irregularity by Jared Shurin • review by Aishwarya Subramanian
47 •   Review: Paradox by Ian Whates • review by Duncan Lawie
48 •   Review: Descent by Ken MacLeod • review by Lynne Bispham
48 •   Review: War Dogs by Greg Bear • review by Andy Sawyer
49 •   Review: Defenders by Will McIntosh • review by Shaun Green
49 •   Review: Parasite by Mira Grant • review by Patrick Mahon
50 •   Review: Broken Monsters by Lauren Beukes • review by Shaun Green
51 •   Review: Cold Turkey by Carole Johnstone • review by Graham Andrews

A word about bêtes: in so relentlessly English a novel, in which an outside world is scarcely even mentioned, it is never explained why a French word should be chosen to identify the talking animals. It makes them foreign, alien, but in a work that has more wordplay, puns and malapropisms even than is usual in an Adam Roberts novel, we have to take note of things like this. I suspect, therefore, that we are intended to hear an echo of ‘bet’ in the word, the novel details a huge gamble about the nature of consciousness and the future of humanity.

Paul Kincaid

The same with editors–my editors at Orbit didn’t ask me to change the pronouns at all. It was, rather, one of the things they’d really liked about the novel. […] My takeaway from the whole experience is that laundry lists of what’s “commercial” or not aren’t actually terribly helpful, not in and of themselves. I am not a fan of aspiring writers worrying too much about whether their work is commercial or not, not because I have any sort of disdain for the commercial (I like to sell books as much as the next person!) but because what sells or doesn’t isn’t really that easily predictable.

Ann Leckie

2015 BSFA Lecture

The 2015 BSFA Lecture at Dysprosium (the 2015 Eastercon) will be given by Dr Simon Trafford (Institute of Historical Research), and is entitled ‘“Runar munt þu finna”: why sing pop in dead languages?’ The lecture will be given at 5.30 pm on Saturday April 4th, in the Discovery room of the Park Inn, Heathrow. The lecture is open to any member of Dysprosium.

Simon Trafford is Lecturer in Medieval History and Research Training Officer at the University of London’s Institute of Historical Research. He specialises in the history and archaeology of the later Anglo-Saxon period in the north-east of England. He completed his undergraduate studies and his D.Phil. at the University of York, where his supervisor was Professor Edward James, who sf fans know as current Chair of the Science Fiction Foundation. Simon has a particular interest in the depiction of Vikings in popular culture. His talk for us develops this, with a special focus upon the use of dead ancient and medieval languages in pop and rock songs.

The BSFA Lecture is intended as a companion to the George Hay Lecture, which is presented at the Eastercon by the Science Fiction Foundation. Where the Hay Lecture invites scientists, the BSFA Lecture invites academics from the arts and humanities, because we recognise that science fiction fans aren’t only interested in science.  The lecturers are given a remit to speak “on a subject that is likely to be of interest to science fiction fans” – i.e. on whatever they want!  This is the eighth BSFA Lecture.