Torque Control

Vector #279

3 • Torque Control (Vector 279) • [Torque Control] • essay by Anna McFarlane and Glyn Morgan
4 • The BSFA Review: Best of 2014 • essay by Graham Andrews and Stuart Carter and Gary S. Dalkin and David Hebblethwaite and L. J. Hurst and Tony Jones and Paul Kincaid and Anthony Nanson and Ian Sales and Andy Sawyer and Aishwarya Subramanian and Sandra Unerman [as by Graham Andrews and Stuart Carter and Gary Dalkin and David Hebblethwaite and L. J. Hurst and Toby Jones and Paul Kincaid and Anthony Nanson and Ian Sales and Andy Sawyer and Aishwarya Subramanian and Sandra Unerman]
14 • Best of 2014 in SF Television • essay by Molly Cobb
18 • Best of 2014 in SF Audio • essay by Tony Jones
22 • Best of 2014 in Young Adult SF • essay by Ashley Armstrong
24 • Made of Win: Ann Leckie • interview of Ann Leckie • interview by Tom Hunter
28 • 2014 in Science Fiction Comics • [Sequentials] • essay by Laura Sneddon
31 • Helen O'Loy by Lester del Rey • [Kincaid in Short] • essay by Paul Kincaid
34 • A Message from Mars by Lester Lurgan and Richard Ganthony • [Foundation Favourites] • essay by Andy Sawyer
36 • Extraterrestrial Liberty • [Resonances] • essay by Stephen Baxter
38 • The BSFA Review Poll 2014 • essay by Martin Lewis [as by Martin Petto]
40 •   Review: The Race by Nina Allan • review by Kerry Dodd
41 •   Review: Cataveiro by E. J. Swift • review by Maureen Kincaid Speller
42 •   Review: Sibilant Fricative: Essays and Reviews by Adam Roberts • review by Jonathan McCalmont
44 •   Review: Bête by Adam Roberts • review by Paul Kincaid
45 •   Review: Ancillary Sword by Ann Leckie • review by Anne F. Wilson
45 •   Review: Europe in Autumn by Dave Hutchinson • review by Ian Sales
46 •   Review: Irregularity by Jared Shurin • review by Aishwarya Subramanian
47 •   Review: Paradox by Ian Whates • review by Duncan Lawie
48 •   Review: Descent by Ken MacLeod • review by Lynne Bispham
48 •   Review: War Dogs by Greg Bear • review by Andy Sawyer
49 •   Review: Defenders by Will McIntosh • review by Shaun Green
49 •   Review: Parasite by Mira Grant • review by Patrick Mahon
50 •   Review: Broken Monsters by Lauren Beukes • review by Shaun Green
51 •   Review: Cold Turkey by Carole Johnstone • review by Graham Andrews

A word about bêtes: in so relentlessly English a novel, in which an outside world is scarcely even mentioned, it is never explained why a French word should be chosen to identify the talking animals. It makes them foreign, alien, but in a work that has more wordplay, puns and malapropisms even than is usual in an Adam Roberts novel, we have to take note of things like this. I suspect, therefore, that we are intended to hear an echo of ‘bet’ in the word, the novel details a huge gamble about the nature of consciousness and the future of humanity.

Paul Kincaid

The same with editors–my editors at Orbit didn’t ask me to change the pronouns at all. It was, rather, one of the things they’d really liked about the novel. […] My takeaway from the whole experience is that laundry lists of what’s “commercial” or not aren’t actually terribly helpful, not in and of themselves. I am not a fan of aspiring writers worrying too much about whether their work is commercial or not, not because I have any sort of disdain for the commercial (I like to sell books as much as the next person!) but because what sells or doesn’t isn’t really that easily predictable.

Ann Leckie

2015 BSFA Lecture

The 2015 BSFA Lecture at Dysprosium (the 2015 Eastercon) will be given by Dr Simon Trafford (Institute of Historical Research), and is entitled ‘“Runar munt þu finna”: why sing pop in dead languages?’ The lecture will be given at 5.30 pm on Saturday April 4th, in the Discovery room of the Park Inn, Heathrow. The lecture is open to any member of Dysprosium.

Simon Trafford is Lecturer in Medieval History and Research Training Officer at the University of London’s Institute of Historical Research. He specialises in the history and archaeology of the later Anglo-Saxon period in the north-east of England. He completed his undergraduate studies and his D.Phil. at the University of York, where his supervisor was Professor Edward James, who sf fans know as current Chair of the Science Fiction Foundation. Simon has a particular interest in the depiction of Vikings in popular culture. His talk for us develops this, with a special focus upon the use of dead ancient and medieval languages in pop and rock songs.

The BSFA Lecture is intended as a companion to the George Hay Lecture, which is presented at the Eastercon by the Science Fiction Foundation. Where the Hay Lecture invites scientists, the BSFA Lecture invites academics from the arts and humanities, because we recognise that science fiction fans aren’t only interested in science.  The lecturers are given a remit to speak “on a subject that is likely to be of interest to science fiction fans” – i.e. on whatever they want!  This is the eighth BSFA Lecture.

BSFA Lecture at Loncon 3

A special BSFA Lecture will be given at Loncon 3 by Dr Paula James (Open Unversity), entitled ‘Pygmalion’s Statue and her Synthetic Sisters: The Perfect Woman on Screen′. The lecture will be given at 20.00 on Saturday August 16th, the ExCel Centre, London Docklands. The lecture is open to any member of Loncon 3.

Paula James is a familiar face and voice to anyone who has studied the Open University’s Arts Foundation courses over the past fifteen years or so, or any of their courses in Classical Studies. Paula is Senior Lecturer in Classical Studies and Staff Tutor in Arts at the OU. She began her academic career after raising her family, and joined the Open University in the 1990s. She is an expert in Latin Literature, particularly the Metamorphoses of Ovid and Apuleius. She also writes on the reception of Latin texts in modern cinema. She has written an excellent introduction to Ancient Rome, Understand Roman Civilization, now in its second edition, and has jointly edited works on the imagery of Trade Union banners and the parrot in literature. Her most recent book is Ovid’s Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman (2013), and it is from this work that her talk to us is derived.
The BSFA Lecture is intended as a companion to the George Hay Lecture, which is presented at the Eastercon by the Science Fiction Foundation. Where the Hay Lecture invites scientists, the BSFA Lecture invites academics from the arts and humanities, because we recognise that science fiction fans aren’t only interested in science. The lecturers are given a remit to speak “on a subject that is likely to be of interest to science fiction fans” – i.e. on whatever they want! This is a special lecture for Worldcon, and is the seventh BSFA Lecture.

Frances Hardinge interview and panel now online

0330519735.02.LZZZZZZZEarlier this month Frances Hardinge was the BSFA’s guest at the AGM/Minicon jointly held with the Science Fiction Foundation. Transcripts of her interview with Tom Pollock and a panel item with Frances, Niall Harrison, Farah Mendlesohn and Virginia Preston are now online at Strange Horizons. Thanks to Niall and his SH team for arranging the transcription and hosting these, and thanks of course to Frances for being an excellent guest.