

A word about bêtes: in so relentlessly English a novel, in which an outside world is scarcely even mentioned, it is never explained why a French word should be chosen to identify the talking animals. It makes them foreign, alien, but in a work that has more wordplay, puns and malapropisms even than is usual in an Adam Roberts novel, we have to take note of things like this. I suspect, therefore, that we are intended to hear an echo of ‘bet’ in the word, the novel details a huge gamble about the nature of consciousness and the future of humanity.
Paul Kincaid
The same with editors–my editors at Orbit didn’t ask me to change the pronouns at all. It was, rather, one of the things they’d really liked about the novel. […] My takeaway from the whole experience is that laundry lists of what’s “commercial” or not aren’t actually terribly helpful, not in and of themselves. I am not a fan of aspiring writers worrying too much about whether their work is commercial or not, not because I have any sort of disdain for the commercial (I like to sell books as much as the next person!) but because what sells or doesn’t isn’t really that easily predictable.
Ann Leckie
There are still places available on the 2015 Science Fiction Foundation Masterclass in Science Fiction Criticism. If you would like to apply, please contact masterclass@sf-foundation.org. Full details of the Masterclass can be found here.
The 2015 BSFA Lecture at Dysprosium (the 2015 Eastercon) will be given by Dr Simon Trafford (Institute of Historical Research), and is entitled ‘“Runar munt þu finna”: why sing pop in dead languages?’ The lecture will be given at 5.30 pm on Saturday April 4th, in the Discovery room of the Park Inn, Heathrow. The lecture is open to any member of Dysprosium.
Simon Trafford is Lecturer in Medieval History and Research Training Officer at the University of London’s Institute of Historical Research. He specialises in the history and archaeology of the later Anglo-Saxon period in the north-east of England. He completed his undergraduate studies and his D.Phil. at the University of York, where his supervisor was Professor Edward James, who sf fans know as current Chair of the Science Fiction Foundation. Simon has a particular interest in the depiction of Vikings in popular culture. His talk for us develops this, with a special focus upon the use of dead ancient and medieval languages in pop and rock songs.
The BSFA Lecture is intended as a companion to the George Hay Lecture, which is presented at the Eastercon by the Science Fiction Foundation. Where the Hay Lecture invites scientists, the BSFA Lecture invites academics from the arts and humanities, because we recognise that science fiction fans aren’t only interested in science. The lecturers are given a remit to speak “on a subject that is likely to be of interest to science fiction fans” – i.e. on whatever they want! This is the eighth BSFA Lecture.
Note: Cover says 279.
A special BSFA Lecture will be given at Loncon 3 by Dr Paula James (Open Unversity), entitled ‘Pygmalion’s Statue and her Synthetic Sisters: The Perfect Woman on Screen′. The lecture will be given at 20.00 on Saturday August 16th, the ExCel Centre, London Docklands. The lecture is open to any member of Loncon 3.
Earlier this month Frances Hardinge was the BSFA’s guest at the AGM/Minicon jointly held with the Science Fiction Foundation. Transcripts of her interview with Tom Pollock and a panel item with Frances, Niall Harrison, Farah Mendlesohn and Virginia Preston are now online at Strange Horizons. Thanks to Niall and his SH team for arranging the transcription and hosting these, and thanks of course to Frances for being an excellent guest.